Has “opera-queen culture” really burned out? Is the most nagging problem with opera right now the issue that lesbians are not invited to the party? And are works like Paul’s Case and Fellow Travelers (i.e., period pieces ending in tragedy for closeted white gay male victims) really the shape of the future? Alex Ross (not pictured) seems to think so, though the cher public may have different ideas.
Alex’s case
Has “opera-queen culture” really burned out?
By La Cieca La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
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Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
