“In his more than 20 seasons at the Met, tenor Roberto Alagna has sung his way from one end of the Romantic opera repertoire to the other, from Nemorino to Radamès. But last night he found his most congenial and emotionally moving role yet, the part I wager he will be remembered for in decades to come: Cyrano de Bergerac.” [Observer]
Panache room
“Roberto Alagna has found his most congenial and emotionally moving role yet: Cyrano de Bergerac.”
By James Jorden James Jorden
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and first editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni,.. He was the co-creator, writer and occasional wig stylist for "The Dozen Divas," the long-running cabaret show starring the ineffable Dorothy Bishop. He also served as opera critic for the New York Observer.
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Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.