Anna ManonAnna gets veristic, both in the recent past and the not-too-distant future. To begin with, here’s what she sounded like a couple of weeks ago in Manon Lescaut in Vienna, and La Cieca is hard pressed to think of a better high C from anybody.

This particular selection will not figure on the diva’s upcoming Verismo CD, but the rest of the programming sounds very luscious indeed. Here’s a leaked track list.

Francesco Cilèa (1866 – 1950)
Adriana Lecouvreur
Act 1
1. “Ecco: respiro appena … Io son l’umile ancella” 3:42
Umberto Giordano (1867 – 1948)
Andrea Chénier
Act 3
2. “La mamma morta” 4:59
Giacomo Puccini (1858 – 1924)
Madama Butterfly
Act 2
3. “Un bel dì vedremo” 4:35
Turandot
Act 1
4. “Signore, ascolta!” 2:41
Ruggiero Leoncavallo (1857 – 1919)
Pagliacci
Act 1
5. “Qual fiamma avea nel guardo! … Stridono lassù” 4:32
Alfredo Catalani (1854 – 1893)
La Wally
Act 1
6. “Ebben? … Ne andrò lontana” 3:55
Arrigo Boïto (1842 – 1918)
Mefistofele
Act 3
7. “L’altra notte in fondo al mare” 6:53
Amilcare Ponchielli (1834 – 1886)
La Gioconda
Act 4
8. “Suicidio! In questi fieri momenti” 4:35
Giacomo Puccini (1858 – 1924)
Tosca
Act 2
9. “Vissi d’arte, vissi d’amore” 3:27
Anna Netrebko, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano
Turandot
Act 2
10. “In questa reggia” 6:12
Anna Netrebko, Yusif Eyvazov, Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano
Manon Lescaut
Act 2
11. “In quelle trine morbide” 2:48
Anna Netrebko, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano
Act 4
12. “Tutta su me ti posa” 2:56
13. “Manon, senti, amor mio” 1:59
14. “Sei tu che piangi?” 4:38
15. “Sola perduta, abbandonata” 4:25
16. “Fra le tue braccia amore” 6:42
Anna Netrebko, Yusif Eyvazov, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano

La Cieca

James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.

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