“There’s no hiding it. I find some passages of Wagner insufferably tedious. Take Parsifal, just opened at the Royal Opera House. Some of the music is sublime, but other bits invariably have me nodding off. I really wouldn’t mind if I never saw another Flower Maiden again. Same with Tristan and Isolde. The Liebestod, the final aria, would be one of my Desert Island Discs, but there are long stretches of act two I’d happily cut. Nor is it just Wagner….” A gaggle of Brits gather for a session of humblebragging, with John Eliot Gardiner winning the palm for sheer “insufferability.”

Call for submissions: parterre box‘s new Talk of the Town

Call for submissions: parterre box‘s new Talk of the Town

Sponsored

Call for submissions: parterre box‘s new Talk of the Town

parterre box is launching a new themed regular feature curated by our readers and opera fans across the world! We are asking for your favorite clips, recordings, and anecdotes to get people chatting, listening, and thinking.

From parterre box

parterre box is launching a new themed regular feature curated by our readers and opera fans across the world! We are asking for your favorite clips, recordings, and anecdotes to get people chatting, listening, and thinking.

From parterre box