Opera from a certain point of view. The best opera magazine on the web. Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
“Her letter scene was glorious, and her final meeting with Onegin beguiling. Netrebko leaves nothing to be desired vocally and is a consummate artist as well.”
“Her letter scene was glorious, and her final meeting with Onegin beguiling. Netrebko leaves nothing to be desired vocally and is a consummate artist as well. She has joined the list of the greatest interpreters of this role and is a gift to the world of opera.” That’s what Der Kurier had to say about Anna Netrebko‘s role debut as Tatyana last Friday night, and now you, cher public, can get a sense of what all the fuss was about.
La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.