Raina Kabaivanska sings in a film by Patrice Chéreau.
[kml_flashembed movie="http://www.youtube.com/v/fvwiEVFt2MA" width="425" height="350" wmode="transparent" /]
Seriously….Wagner saved all the low notes for the final act….while my voice goes up and up all night. 5 performances late may/early June. Also 4 remount performances in Sept. Message me about...
In boca al lupo. I hear Act III is a beast.
I had a very different take on it. I found it to be a celebration of performance and theatricality, very much in tune with the piece and its mixture of the profound and the prosaic, that invited us...
It just needs a few props, potted plants or something. But don't take issue, please. Sounds like a sneeze.
This duet limped somewhat.
Weekend spent rehearsing and performing at Vienna Staatsoper ;). Lemme know if you’d like a ticket for my new Tannhäuser here xoxo
Aha. Good. But to be clear, it is not my intention to tell you that you are wrong not to like the production. Where I take issue is the assertion that it is bad work.
I think so few theaters in the USA are doing either Berg opera these days that they'd probably either prioritize a star singer with a relationship to that theater OR a specialist in the role...
That was certainly my intention.
Bliss undoubtedly wears the "costume" (a white t-shirt for a top) better than Brownlee. (I say this as a Brownlee fan, and wished they had given him something more flattering to wear.)
Lewek, Bliss, and Schutlz are all fine. I'm curious what seeing the production in the house does to the impressions they make.
I also miss "Bei mannern." Also, the compromise to use the opening fanfare from the Overture is musically odd - it doesn't transition well into the "Zu hilfe" music. I...
There are, and should be, different approaches to any opera. The Taymor production was very "fairy tale" like. The McBurney production is quite the opposite. It's very...
We seem to have departed from the relative merits of the production.
FWIW, I love this fugue, and along with the overture, it's what I miss most about the abridged "family" edition the Met performs every year.
500 to 1,000 seats. Nobody knows for sure. Maybe I should say 500 to 1,000 spectators, if there was a lot of standing room, as was the case in Rameau’s Paris.
I would have to see the soles of those feet to decide.
With singers in bare feet, I think you can rest assured that the stage was swept.
The Met hired the francophone José van Dam for Wozzeck. How many US theaters of a size in which Degout would be comfortable perform DON CARLOS? When the Met (finally!) did it they happily hired a...
Mozart and Schickaneder had been friends for ten years when they wrote Zauberflöte together. They first met when Schickaneder's company played Salzburg and Mozart rarely missed a performance...
Get our free weekly newsletter delivered to your email.
Yannick leads The Philadelphia Orchestra, superstars Nina Stemme and Stuart Skelton, and world-class singers in a rare concert performance that reveals every detail and nuance of this richly harmonic score. Experience the passion and cold-hearted revenge of this scandalous opera. Get tickets now!
Yannick leads The Philadelphia Orchestra, superstars Nina Stemme and Stuart Skelton, and world-class singers in a rare concert performance that reveals every detail and nuance of this richly harmonic score. Experience the passion and cold-hearted revenge of this scandalous opera. Get tickets now!
Following the successful launch of the new regular feature The Talk of the Town in January, the team at the box is inviting contributions for a new quarter of operatic potpourri.
Following the successful launch of the new regular feature The Talk of the Town in January, the team at the box is inviting contributions for a new quarter of operatic potpourri.
“The island is only small / But the fairies inhabiting it / Welcome us all”
That means you—and your even more significant other—should you win this pair of seats. Enter now »
“The island is only small / But the fairies inhabiting it / Welcome us all”
That means you—and your even more significant other—should you win this pair of seats. Enter now »
Opera's top reads delivered to your email weekly…ish.
Join over 100k readers.
Parterre Box is the best opera magazine on the web.
Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
Editorial
info@parterre.com
Advertising/partnerships
advertising@parterre.com
All other inquiries
trashfile@parterre.com
Copyright © 2025 Parterre Box.
All rights reserved.
Registration or use of this site constitutes acceptance of our Terms & Conditions and our Privacy Policy.
Comments