Opera from a certain point of view. The best opera magazine on the web. Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
“It’s not like there’s anyone who wants new operas to fail. In fact, audiences, critics, and opera companies alike have huge stakes in seeing new works succeed. And goodness knows the Metropolitan Opera, like any reputable opera company, has a responsibility to present recent compositions. However, reviews are not for good intentions; I have to write about results.” Our editor JJ reviews the Met’s recent world premiere An American Tragedy (starring Nathan “Headlights” Gunn) in Gay City News. Just the thing to read as you listen to the Toll House Cookie/Metropolitan Opera Radio Network Broadcast tomorrow afternoon.
Oh, and when JJ says, “increasingly unflattering,” this is what he means:
“I’m supposed to be the Grand Duchess Anastasia, but I think I look more like Tugboat Annie.”
La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.