Opera from a certain point of view. The best opera magazine on the web. Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
In response to the recent lively(ish) discussionabout the suitability of Maria Guleghina to the rigors of the role of Elena in I vespri siciliani, La Cieca has decided that she should demonstrate how this music should be sung. No, actually La Cieca is not going to sing it herself; rather, she will present Renata Scotto‘s peerless interpretation from La Scala in 1970. This will also mark La Scotto’s debut with Unnatual Acts of Opera, and an overdue debut it is when you recall that she is La Cieca’s favorite singer, ever. La Cieca once opined that Scotto is the nearest anyone ever came to being the Bette Davis of opera; for that matter, La Davis could certainly be called the Scotto of the Silver Screen. But La Cieca digresses. This gala Vespri also stars RuggieroRaimondi, Piero Cappuccilli and Gianni Raimondi, under the baton of Gianandrea Gavazzeni. Maestro G. took a number of cuts in the score, which means that we have time for some delightful extras following the acts, with Leyla Gencer, Anita Cerquetti, Boris Christoff and Renato Bruson headlining. It all begins Monday on Unnatural Acts of Opera.
La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.