Headshot of La Cieca

Cher Public

  • Flora del Rio Grande: stevey – I’d say you know plenty as regards Anna Tomawa Sentow. I heard... 12:33 AM
  • Porgy Amor: A deep bow of gratitude to Nestor Almendros, one of those DPs who is among the gods. And another... 11:20 PM
  • Krunoslav: In the cast of ANKLES AWEIGH was Janet Pavek, whose Met career 8 years later looked like this:... 11:19 PM
  • stevey: Zinka! I have long wanted to ask you about someone, as I value and respect your thoughts and... 11:01 PM
  • ducadiposa: Nothing truer was ever said! Odd, as I just commented on another blog about much the same thing... 10:35 PM
  • Krunoslav: To ne Manz’s narration is as hard to endure as the long-running NYC radio commercial... 10:31 PM
  • DonCarloFanatic: On the other hand, experiencing opera the way prior generations might have, the more... 10:21 PM
  • Quanto Painy Fakor: with sound httpvh://www.youtu be.com/watch?v=5Z9 kAJUTWUA 10:19 PM
  • Quanto Painy Fakor: Regular: httpv://www.youtub e.com/watch?v=MW78 ihWwwYg 10:16 PM
  • Quanto Painy Fakor: Wide screen test httpvh://www.youtu be.com/watch?v=PPu J3W-qUuc 10:15 PM

Play your hunch

Bel Canto at Caramoor is something that I’ve always wanted to attend but never have because … well because frankly I’m just too lazy during the summers, and I’m also a big baby about outdoor performances. What if it’s torrential downpour? What if it’s 100 degrees? What if it’s a five hour opera and it sucks and there’s no way of peacing out? What if the cast sucks? I’d rather focus on the three big B’s during the summer: Ballet, Beach, and Big Brother. Read more »

The curse of drink

Two operas both alike in dignity, set in dimly lit Renaissance towns ruled by seething, conspiratorial courts. Parties blaze, alleyway shadows threaten, half the characters are spies or bravos for the other half, plus a few on spec. Love is in short supply, usually twisted. What these folks need is a competent social worker with a dagger-proof vest and a cast-iron stomach. What they get is melody to live upon and die upon, melody as rich and various as the forms of pasta.   Read more »

Eschorcher

Jennifer LarmoreGiuseppe and I have always had a complicated relationship. I could live without ever hearing Aïda again, and although I love Il Trovatore I can’t get too excited about either Rigoletto or La Traviata. Much as I admire Otello and Falstaff, instead Macbeth is the Shakespeare opera I couldn’t live without. A great Ernani thrills me in a way that no Un Ballo in Maschera ever has and while every encore of “Va, pensiero” makes me want to run to the nearest exit, the final act of Luisa Miller reigns as one of the greatest in all opera. But, for me, Verdi has always meant above all Don Carlos, his greatest, most complex, most moving work. Read more »

vesper

Les vêpres de Westchester

The big news from Bel Canto at Caramoor’s presentation of Les Vêpres Siciliennes last Saturday is far from unexpected.

Read more »

boulevard

All boulevards lead to Westchester

“Let’s go up to Westchester!”

Read more »

ah_paris

New York has neon, Berlin has bars, but ah! Caramoor!

This summer at Caramoor, Will Crutchfield (not pictured) will conduct two Verdi operas written for the Académie Royale de Musique.

Read more »

capuleti_caramoor

Thirds and music

Richard Wagner told Cosima he first got the idea of composing an opera about Tristan and Isolde while he was conducting Bellini’s I Capuleti e i Montecchi starring his muse, Wilhelmine Schröder-Devrient, in the trouser role of Romeo.

Read more »

Ciro in Babilonia by Rossini, a Bel Canto at Caramoor performance

Conquering Ciro

By the time Rossini was 20, he had produced six operas, most of them brief, comic and slight. He admitted to admiring Mozart (not then well known south of the Alps), but the melodies of his early works show more of the influence of Paisiello.

Read more »

Read more »

Don’t ask, do “Tell”

Repertory for “Bel Canto at Caramoor” 2011: H.M.S. Pinafore and Guillaume Tell. 

Read more »

Read more »

Royal rascals

The Post decided to pass on a review of the Caramoor Maria di Rohan (July 24), but the presentation is definitely worth a mention and some discussion, so let’s take it to parterre.

Read more »