Headshot of La Cieca

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  • kashania: Lawrence Zazzo sang Gluck’s Orfeo in Toronto a few years ago (and Oberon before that) and my... 3:35 PM
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“Die Zeit, die ist ein sonderbar’ Ding”

In keeping (tangentially) with our Rosenkavalier theme this weekend, here is a tale that is, as it were, as old as time, and just about as unreliable. After the jump, La Cieca produces documentary evidence that Peter Gelb has single-handedly ravaged the finances of the Met not only during his own incumbency, but in the distant past as well. Read more »

Borne back ceaselessly into the past

So, cher public, have you heard about this fabulous new plan to revive the New York City Opera under the direction of Michael Capasso? A keystone of the “Renaissance” of the company (as the prospectus puts it) will be to perform “period-consistent productions of standard repertoire” (e.g., the Franco Zeffirelli production of Tosca) in the Rose Theater. A more detailed plan, including scary photos of naked old people in Johann Kresnik‘s Erfurt production of Un ballo in maschera, may be found here.

Out of Touch

In a press release that was obviously sent in 1985 and for some bizarre reason only just arrived an hour ago, Lyric Opera of Chicago has announced the production of a new Ring cycle with Sir Andrew Davis conducting and David Pountney directing. Now, if you’ll excuse La Cieca, she will slip into her power suit and head down to Area to celebrate. Read more »

wilted_rose

Ancien regie

“But like any production left out in the sun a few decades, it gradually faded into mere decoration.”

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Constellation

Here, for the first time in 40 years, the CBS telecast of the April 21-22 gala honoring the retirement of Sir Rudolf Bing.

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Once in half a lifetime

Then and now: the “Dio ti giocondi, o sposo” duet from Otello.

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Re-entrance

La Cieca (not pictured) has just accessed a new feature in YouTube that imported a dozen or so “classic” parterre video clips from Google Video into the familiar YouTube interface.

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Le duc d’Orleans, le duc d’Ayen…

Former Editor of Opera News and Director of Opera-Music Theater at the National Endowment for the Arts Patrick J. Smith (pictured) yearns for the ancien régime: “We used to go to the opera for the voices. Zinka Milanov…” And so, anyone who has serious informed criticism of how Peter Gelb runs the Met now can look forward to getting lumped in with the reactionary prigs. [Musical America]

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