If you’ve been following the coverage of the Nézet-Séguin succession, you will note that a good deal of the coverage centers on whether the incoming maestro will “champion” this composer or that, as we are assured that the sainted and revered James Levine did with, say, Debussy. Read more »
The 2017 Salzburg Easter Festival promises an intriguing blend of dramaturgy and necromancy “by attempting to re-create Karajan’s musico-theatrical vision of Die Walküre from 1967.” Read more »
The celebration of 50 years of the Mostly Mozart Festival at Lincoln Center features staged concerts of Così fan tutte and Idomeneo. Tickets and more information are at MostlyMozart.org. Read more »
The redevelopment that took place at Lincoln Center during Reynold Levy’s tenure as president of Lincoln Center represents a considerable accomplishment. One can can question decisions, priorities and outcomes (devoting precious plaza real estate to a very good, but very expensive restaurant; the awkward, treacherous path from the Met through a Brian de Palma-inspired tunnel to the subway), but Levy deserves recognition for the combination of fundraising savvy, stubbornness, and leadership he displayed in getting this done. Surely, there’s an interesting saga to told. Unfortunately, Levy’s ponderously titled memoir They Told Me Not to Take that Job: Tumult, Betrayal, Heroics, and the Transformation of Lincoln Center doesn’t tell it. Read more »
So, cher public, have you heard about this fabulous new plan to revive the New York City Opera under the direction of Michael Capasso?
In a press release that was obviously sent in 1985 and for some bizarre reason only just arrived an hour ago, Lyric Opera of Chicago has announced the production of a new Ring cycle with Sir Andrew Davis conducting and David Pountney directing.
“But like any production left out in the sun a few decades, it gradually faded into mere decoration.”
Here, for the first time in 40 years, the CBS telecast of the April 21-22 gala honoring the retirement of Sir Rudolf Bing.
La Cieca (not pictured) has just accessed a new feature in YouTube that imported a dozen or so “classic” parterre video clips from Google Video into the familiar YouTube interface.