The 2017 Salzburg Easter Festival promises an intriguing blend of dramaturgy and necromancy “by attempting to re-create Karajan’s musico-theatrical vision of Die Walküre from 1967.” Read more »
The redevelopment that took place at Lincoln Center during Reynold Levy’s tenure as president of Lincoln Center represents a considerable accomplishment. One can can question decisions, priorities and outcomes (devoting precious plaza real estate to a very good, but very expensive restaurant; the awkward, treacherous path from the Met through a Brian de Palma-inspired tunnel to the subway), but Levy deserves recognition for the combination of fundraising savvy, stubbornness, and leadership he displayed in getting this done. Surely, there’s an interesting saga to told. Unfortunately, Levy’s ponderously titled memoir They Told Me Not to Take that Job: Tumult, Betrayal, Heroics, and the Transformation of Lincoln Center doesn’t tell it. Read more »
Pyrotechnics abound when Angela Meade stars in Opera Orchestra of New York’s production of Donizetti’s tragic love story, Parisina d’Este, conducted by OONY founder Eve Queler on May 4, 2016 at the Frederick P. Rose Hall at Jazz at Lincoln Center. OONY last performed this opera in 1974 starring Montserrat Caballé. The remaining cast features a group of young international artists including American tenor Aaron Blake in the role of Ugo, Chinese baritone Yunpeng Wang in the role of Duke Azzo, Serbian bass Sava Vemic in the role of Ernesto, and American Soprano Mia Pafumi in the role of Imelda. Don’t miss this thrilling, rare Donizetti gem.! Remaining tickets are on sale at the Jazz at Lincoln Center box office. Read more »
In keeping (tangentially) with our Rosenkavalier theme this weekend, here is a tale that is, as it were, as old as time, and just about as unreliable. After the jump, La Cieca produces documentary evidence that Peter Gelb has single-handedly ravaged the finances of the Met not only during his own incumbency, but in the distant past as well. Read more »
So, cher public, have you heard about this fabulous new plan to revive the New York City Opera under the direction of Michael Capasso?
In a press release that was obviously sent in 1985 and for some bizarre reason only just arrived an hour ago, Lyric Opera of Chicago has announced the production of a new Ring cycle with Sir Andrew Davis conducting and David Pountney directing.
“But like any production left out in the sun a few decades, it gradually faded into mere decoration.”
Here, for the first time in 40 years, the CBS telecast of the April 21-22 gala honoring the retirement of Sir Rudolf Bing.
La Cieca (not pictured) has just accessed a new feature in YouTube that imported a dozen or so “classic” parterre video clips from Google Video into the familiar YouTube interface.
Former Editor of Opera News and Director of Opera-Music Theater at the National Endowment for the Arts Patrick J. Smith (pictured) yearns for the ancien régime: “We used to go to the opera for the voices. Zinka Milanov…” And so, anyone who has serious informed criticism of how Peter Gelb runs the Met now can look forward to getting lumped in with the reactionary prigs. [Musical America]