Now we have considered the three “winners” in the Tristan video competition, let’s turn to the also-rans, or, to be more optimistic, the runners up. Read more »
Yesterday we pondered two videos of Tristan und Isolde from the 20th century. Now let us move on to a performance that is definitively of the 21st. Patrice Chéreau, the humanist in provocateur’s clothing, returned to Wagner in 2007 at La Scala with Daniel Barenboim and Waltraud Meier. The three had first collaborated, memorably, on Berg’s Wozzeck more than a decade earlier. Read more »
“Never in my life having enjoyed the true happiness of love I shall erect a memorial to this loveliest of all dreams in which, from the first to the last, love shall, for once, find utter repletion. I have devised in my mind a Tristan und Isolde, the simplest, yet most full-blooded musical conception imaginable, and with the ‘black flag’ that waves at the end I shall cover myself over–to die.” Read more »
That most profound and controversial of all operatic composers was born 200 years ago today.