Tanned, rested and ready to present, La Cieca invites you, the cher public, to select the best, worst and most egregious opera performances of the 2011-2012 season. Following an intricate and overly tedious nomination procedure by the parterre blue-ribbon committee, your doyenne has assembled the official Pubie ballots. You are invited to vote on your selections after the jump. Read more »
Now that the retirement of James Levine is basically just a matter of patiently waiting out 18 months of inaction, it’s about time you, the cher public, were heard on the subject of the appointment of a new music director for the Met. A couple of polls for you after the jump. Read more »
It will come to no surprise to the parterriani (though perhaps something of a relief to Peter Gelb) that the most coveted ticket of the fall season in New York is Anna Bolena, the Donizetti premiere at the Met featuring Anna Netrebko‘s lovely head. Complete results of the more than 1,100 votes cast in the Fall Poll after the jump. Read more »
La Cieca (pictured, center) reminds the cher public that it is very rapidly becoming “that time of year again,” and so, and while we have a brief respite from the flurry of Met press releases, you are invited to select your most anticipated performances of the fall.
At long last (or, anyway, a whole year later) La Cieca (pictured) is delighted to announce the event of events here at parterre.com, the 2010-2011 Parterre Cher Public Choice Awards. You, the aforementioned cher public, now have your chance to vote on the best, the worst and the most divalicious events of the season, as nominated by La Cieca’s hand-picked Blue Ribbon panel of experts. Watch for the results of this poll at the end of next week, when the coveted “Pubies” will be awarded.
You, the cher public have voted, and the results are in. Have we chosen the Met’s next Giovanna Seymour? The results were very close indeed!
Now that it’s more or less official that Elina Garanca is dropping out of the Met’s production of Anna Bolena, it’s obviously up to you, the cher public, to decide who should inherit the role. In interest of gathering the broadest range of opinion on this crucial subject, a poll follows the jump.
You have spoken, parterrriani, and your message is loud and clear: Calixto Bieito should be tapped to direct the 2013 Bayreuth production of Der Ring des Nibelungen (seen here in artist’s conception.)
Cher Public