Headshot of La Cieca

Cher Public

  • Camille: Pardon me, but is this Peter KazarAs, the former tenor who is associated with Seattle Opera, or... 10:01 PM
  • Camille: That reminds me, in the book Never sang for Hitler: The Life and Times of Lotte Lehmann, [Michael... 9:53 PM
  • DeCaffarrelli: A correction: I overlooked a passage in the Director’s Note where he mentoned the cuts... 9:45 PM
  • Camille: Yeay! Go Heidi go!!! Put these other byotches out of business! Bordeaux gets better than we do. I am... 9:36 PM
  • Camille: Very “own” version. Just like my typing. Perdona 9:34 PM
  • Camille: Jeanette singing this below was a prime gateway drug into the wonderful world of grand old opera.... 9:33 PM
  • Camille: I thought she was Brünnhildy??? She got the red wig from Debbie ‘n everything̷... 9:27 PM
  • Camille: London Bridges— 9:25 PM
  • Camille: Yeay and thanks much! I don’t care how cute he is, I still want Filianoti. I am standing by... 9:19 PM
  • Camille: I wish Seattle Opera would allow us that marvelous Rusalka from October 1990 with Big Ben and Renée... 9:16 PM

A Life in the Theater

Devotees of Dawn Fatale (and you are legion!) will be delighted to hear that the parterre scribe made an early (2001!) appearance in issue #45 of parterre box the queer opera zine, ranting about the “squish-squish school of opera direction.” This groundbreaking issue also includes in-depth interviews with the legendary, lovely Anja Silja (in town to perform Vec Makropulos at BAM) and frequently-nude countertenor David Walker; plus reviews from around the world, La Cieca’s occasionally accurate gossip, and a do-it=yourself interview with “Lanfranco Madlibbo.” [Download Issue #45]

Wednesday with Mary

La Cieca apologizes for her tardiness in saluting dear Mary this week, but she thinks you will agree it’s worth the wait: ”Miss Garden’s costume differs in a marked degree from those her predecessors have worn.  When she first enters she wears a manteau of bright orange silk embroidered with startling green and blue flowers and sparkling with spangles.  Later she removes this mantle, under which appears a tight-fitting garment of netted gold, with designs in rubies and rhinestones, which falls from somewhere above the waist line to her ankles. For the dance itself, this also is removed, and Mary appears in a small piece of nearly transparent flesh-colored silk. Her feet are bare, her arms are bare and—really it is impossible to describe this costume.” [New York Times]

The naked and the dead

The controversial production of La traviata from La Monnaie directed by Andrea Breth is now available for viewing online. Embedded video (NSFW, contains nudity and other adult-type stuff) after the jump. Read more »

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Stocking stuffer

Randal Turner, pictured above, is but one of 33 barihunks featured in—who ever would have guessed?— “the first Barihunks calendar,” just in time for holiday giving and receiving. All proceeds from the calendar, available at the Barihunks site, will be donated to young artist programs. (Photo by Sarah Wells)

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Salo, me

David McVicar’s ravishingly lurid 2008 production of Strauss’s Salome for the Royal Opera House Covent Garden has been issued as an HD-filmed DVD from Opus Arte.  Now, Strauss’s music is ravishingly lurid on its own, so I came to this production, which claims as a visual source reference the Pasolini film Salo, The 120 Days of Sodom, with some trepidation about “ugly image overload.”

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A thousand words is worth a picture

You know how La Cieca gets when one of her darling Regie productions gets dissed sight unseen, as happened on these shores with last Sunday’s unveiling of the Hans Neuenfels Lohengrin at Bayreuth. (Not so much on this site, because La Cieca is happy to report that here at dear parterre.com all schools of opinion—even stupid ones—are given a full measure of respect.)

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Verklärte Nackt

Our Own JJ lends his voice to the debate about nudity in art this afternoon on WNYC’s Soundcheck. UPDATE: you can now listen to the show after the jump.

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Free Wilis

Roberto Bolle dances Giselle au naturel. (Video after the jump, NSFW, naturally.)

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