Certain operas are better in theory than practice.
Our good friends (and advertisers) at Maestro Artist Management have been wondering just how much you, the cher public, know about Ildar Abdrazakov.
Given Anna Netrebko‘s continuing success at the Met in Macbeth (as evidenced by an mid-scene “brava” in last night’s Sirius broadcast), it’s time to think about the future—specifically her local assignments for next season.