Cher Public

Curious “Case”

“…a perfect marriage of text and music, creating a series of tableau-like scenes, as if Paul’s story is being related through a series of exquisitely posed still photographs—exactly, in fact, the lapidary manner in which Paul envisions his life.” [New York Observer] (Photo: Noah Stern Weber)

Queens logic

UPDATE: This afternoon’s Operavore program now available for streaming, after the jump.

Saturday afternoon at 12:30 on WQXR’s magazine show Operavore, our own JJ talks about Mathilde Marchesi and Antony Roth Costanzo discusses his Orlofsky role in the Met’s Fledermaus. Or, to put it another way, this is a show so gay only pugs can hear it. Read more »

Nitwit Mountain

“Will the actors stepping into the iconic roles live up to the perfection of Heath Ledger and Tob[e]y Maguire?” [Buzzfeed]

Built in a day

“The La clemenza di Tito contract will be offered as a ‘Solo Dancer’ contract and requires 8 physically fit men…. The David McVicar production…”

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A disturbance in the force

The scene outside the Met last night (above) and inside (after the jump).

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Mavra, don’t ask!

And then she was all like, “Nuh-uh! Igor was so not gay,” and I was all like…

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Boys to men

You have only until Sunday to catch the most heart-breaking moments seen on New York City operatic stages this season.

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Dream team

Director Daniel Moshel (not pictured) who created the YouTube sensation MeTube, sat down recently—and virtually—to chat with La Cieca (also not pictured.)

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Notte e giorno faticar

At last, the quintessential targeted reader of parterre.com has been identified.

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A boozy short leave

After 23 years, the Queen of Carthage has finally made it to Manhattan.

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