Headshot of La Cieca

Cher Public

  • Henry Holland: Paul is easily undercast, as I suspect he was at NYCO Well, no. There’s a pirate... 1:39 AM
  • m. croche: Speaking of which, I’m not entirely sure what the monkey in part three at 53:50 is trying to... 1:29 AM
  • luvtennis: I must confess. I adore and revere Elizabeth Montgomery. Those early black and white episodes... 12:42 AM
  • Batty Masetto: Fascinating. (Leave it to Croche). In light of Manou’s lament about not looking at... 12:41 AM
  • Rackon: +1 12:37 AM
  • ML: Quanto, souffleur/souffleu se not feasible on large stage. 12:16 AM
  • m. croche: (Blue mask, in case you were wondering….) 12:04 AM
  • DeepSouthSenior: Maybe we’re getting a glimpse into which line items of the budget were – ahem!... 11:58 PM
  • m. croche: Manou – off topic to your off topic. You asked in chat about Tibetan opera. I finally found... 11:54 PM
  • Batty Masetto: Manou dear, after such a plethora of grand-offspring in nappies that must be changed I should... 11:24 PM

Second guess

“Correction: August 15, 2013 An earlier version of this post referred incorrectly to the gender of the mezzo-soprano Jamie Barton. Ms. Barton is a woman.” [New York Times]

Durch Mitleid wissend

“An article on Feb. 10 about a new Parsifal at the Metropolitan Opera misstated what happens at the end of a Parsifal performance at Bayreuth. There is applause at the end of the opera, not none at all.” [New York Times]

The shock of the new

“The article also referred imprecisely to offerings in the Lyric Opera of Chicago’s 2012-13 season. While A Streetcar Named Desire, by André Previn, is the only one that was composed in the last 100 years, the company will also present Richard Strauss’s Elektra, which was first performed in 1909. Thus it is not the case that A Streetcar Named Desire is the only opera in the company’s season ‘from the last century’ if ‘the last century’ is taken as a reference to the 20th century.” [New York Times]

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Save the Bess for last

Well, actually, it appears Michael Riedel was misinformed. (Alert the media!) The Gershwins’ Porgy and Bess is, in fact, coming to Broadway. [New York Times]

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Right the first time

“In an April 9 story about tenor Juan Diego Florez helping deliver his baby minutes before singing in the Metropolitan Opera production of Le Comte Ory, The Associated Press erroneously reported that the soprano starring in the broadcast was Renee Fleming. The singer was Diana Damrau. Fleming was the host.” [AP]

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Fun with statistics

A correction from the Met press office:  

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