Headshot of La Cieca

Cher Public

  • lyrebird: I heard Magee in Britten’s War Requiem in Berlin (BPO Rattle) and she was the best thing in... 4:15 AM
  • NPW-Paris: … oops, I hadn’t finished! … but doesn’t meet them, it was a very special... 1:23 AM
  • NPW-Paris: “EarnestR 21;. That is very well put. I may quote you on that. Even so,and despite a very... 1:22 AM
  • la vociaccia: Few things here: I’m done with the “give her time” meme. The time to hope... 12:35 AM
  • warmke: A bit harsh. Typical American schooled singer, more focused on evenness of resonance than the curve... 11:23 PM
  • Camille: Just now, remembering how well Poplavskaya played Elisabeth’s scene. I won’t see that... 11:23 PM
  • whiskey per tutti: You are correct. It had the imprimatur of the Kurt Weill Foundation. Conducted by Julius... 10:46 PM
  • warmke: Damned AutoCorrect. 10:32 PM
  • warmke: He was, according to many inside reports, asked to retire from Washington National Opera, which he... 10:31 PM
  • PCally: yeah that’s probably the role for her, and I would like to see how she would act it. 10:25 PM

Second guess

“Correction: August 15, 2013 An earlier version of this post referred incorrectly to the gender of the mezzo-soprano Jamie Barton. Ms. Barton is a woman.” [New York Times]

Durch Mitleid wissend

“An article on Feb. 10 about a new Parsifal at the Metropolitan Opera misstated what happens at the end of a Parsifal performance at Bayreuth. There is applause at the end of the opera, not none at all.” [New York Times]

The shock of the new

“The article also referred imprecisely to offerings in the Lyric Opera of Chicago’s 2012-13 season. While A Streetcar Named Desire, by André Previn, is the only one that was composed in the last 100 years, the company will also present Richard Strauss’s Elektra, which was first performed in 1909. Thus it is not the case that A Streetcar Named Desire is the only opera in the company’s season ‘from the last century’ if ‘the last century’ is taken as a reference to the 20th century.” [New York Times]

Read more »

Save the Bess for last

Well, actually, it appears Michael Riedel was misinformed. (Alert the media!) The Gershwins’ Porgy and Bess is, in fact, coming to Broadway. [New York Times]

Read more »

Read more »

Right the first time

“In an April 9 story about tenor Juan Diego Florez helping deliver his baby minutes before singing in the Metropolitan Opera production of Le Comte Ory, The Associated Press erroneously reported that the soprano starring in the broadcast was Renee Fleming. The singer was Diana Damrau. Fleming was the host.” [AP]

Read more »

Read more »

Fun with statistics

A correction from the Met press office:  

Read more »