Cher Public

  • Camille: Oops. Too absorbed to notice my own BOLDNESS.! Sigh. I always make boo-boos. Sorry. 8:58 PM
  • Camille: Another thing, about the categorisations of the singers, from the Personaggi page in the front of the Ricordi vocal score, the... 8:56 PM
  • Camille: Well if Mo. Slatkin restored it for the ’92 performances, I wonder if it is included in that broadcast from–when was... 7:56 PM
  • Camille: Honey, she’s trying to get that guy to marry her maid Wowkle, who is already with a little baby — that’s why... 7:48 PM
  • Camille: You don’t even have to go to the library, honey, as I just now stumbled onto this valuable resource on The Girl –... 7:43 PM
  • fletcher: I took a peek at the Google Books preview of that Puccini and the Girl online and found an interesting note about a brief scene... 7:33 PM
  • manou: Of course I mean The tensions of the past and the future are probably taut — unless Minnie’s lessons go further that one... 7:31 PM
  • manou: The tensions of the past and the future are probably taut – unless Minnie’s lessons go further that one thought. 7:29 PM

Second guess

“Correction: August 15, 2013 An earlier version of this post referred incorrectly to the gender of the mezzo-soprano Jamie Barton. Ms. Barton is a woman.” [New York Times]

Durch Mitleid wissend

“An article on Feb. 10 about a new Parsifal at the Metropolitan Opera misstated what happens at the end of a Parsifal performance at Bayreuth. There is applause at the end of the opera, not none at all.” [New York Times]

The shock of the new

“The article also referred imprecisely to offerings in the Lyric Opera of Chicago’s 2012-13 season. While A Streetcar Named Desire, by André Previn, is the only one that was composed in the last 100 years, the company will also present Richard Strauss’s Elektra, which was first performed in 1909. Thus it is not the case that A Streetcar Named Desire is the only opera in the company’s season ‘from the last century’ if ‘the last century’ is taken as a reference to the 20th century.” [New York Times]

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Save the Bess for last

Well, actually, it appears Michael Riedel was misinformed. (Alert the media!) The Gershwins’ Porgy and Bess is, in fact, coming to Broadway. [New York Times]

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Right the first time

“In an April 9 story about tenor Juan Diego Florez helping deliver his baby minutes before singing in the Metropolitan Opera production of Le Comte Ory, The Associated Press erroneously reported that the soprano starring in the broadcast was Renee Fleming. The singer was Diana Damrau. Fleming was the host.” [AP]

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Fun with statistics

A correction from the Met press office:  

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