Headshot of La Cieca

Cher Public

  • kashania: I haven’t heard Measha B sing in a couple of years, but at its best the voice has what I... 2:49 PM
  • la vociaccia: But to be fair, Rufus doesn’t exactly come out of that video looking like the picture of... 2:47 PM
  • kashania: Um, wow! 2:46 PM
  • olliedawg: Disclaimer: I usually like Renee Fleming’s work, sometimes even love it. She always strikes... 2:42 PM
  • mskapay: Hmm, she also says she miscarried twins. Poor love. All my good thoughts for a splendid return. 2:25 PM
  • overstimmelated: “accede to” = Macbeths :-) 2:24 PM
  • mskapay: Hmm, she has a long post on her personal Facebook about her vocal problems, but the English is a... 2:22 PM
  • mskapay: Right, I mixed up the dates. I don’t think she was in good shape for that Tatiana, although... 2:19 PM
  • Milady DeWinter: That’s right Monty,I had forgotten – Measha was a very sick lady a while back,... 1:58 PM
  • MontyNostry: How was Jessica Nuccio? I saw her in a competition a few years ago and she sang very well,... 1:55 PM

Second guess

“Correction: August 15, 2013 An earlier version of this post referred incorrectly to the gender of the mezzo-soprano Jamie Barton. Ms. Barton is a woman.” [New York Times]

Durch Mitleid wissend

“An article on Feb. 10 about a new Parsifal at the Metropolitan Opera misstated what happens at the end of a Parsifal performance at Bayreuth. There is applause at the end of the opera, not none at all.” [New York Times]

The shock of the new

“The article also referred imprecisely to offerings in the Lyric Opera of Chicago’s 2012-13 season. While A Streetcar Named Desire, by André Previn, is the only one that was composed in the last 100 years, the company will also present Richard Strauss’s Elektra, which was first performed in 1909. Thus it is not the case that A Streetcar Named Desire is the only opera in the company’s season ‘from the last century’ if ‘the last century’ is taken as a reference to the 20th century.” [New York Times]

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Save the Bess for last

Well, actually, it appears Michael Riedel was misinformed. (Alert the media!) The Gershwins’ Porgy and Bess is, in fact, coming to Broadway. [New York Times]

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Right the first time

“In an April 9 story about tenor Juan Diego Florez helping deliver his baby minutes before singing in the Metropolitan Opera production of Le Comte Ory, The Associated Press erroneously reported that the soprano starring in the broadcast was Renee Fleming. The singer was Diana Damrau. Fleming was the host.” [AP]

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Fun with statistics

A correction from the Met press office:  

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