Headshot of La Cieca

Cher Public

  • ML: What? Why? He’s the only true French voice we have! I think long-standing Parterrians should be... 6:24 AM
  • LJ: here’s the SBS interview http://www.sbs.com .au/news/article/2 014/08/08/operas-h ottest-tenor-ho... 6:15 AM
  • manou: œdipe is on the naughty step – but I hope he will be back soon, holding hands with bassoprofundo. 6:15 AM
  • ML: Oedipe — où es-tu? 5:42 AM
  • ML: Well, as you suggest, there are not performances in French of comparable quality. This is ultimately the... 5:34 AM
  • La marquise de Merteuil: Cocky, I have to disagree re Goerke as Elektra. I didn’t attend last night as... 5:24 AM
  • lyrebird: Actually, the figures are worse than my rough estimates above. If anyone cares (and I’m... 5:19 AM
  • lyrebird: Sorry to disagree. The second concert in Sydney went on sale well before anything like the first... 4:59 AM
  • Cocky Kurwenal: I saw Elektra last night at the proms and seem to be at odds with everybody on Facebook and... 4:41 AM
  • Lohengrin: I also wondered about the way of PR. For exemple in Krumlov/Tchechien they offert JK in all... 4:40 AM

Second guess

“Correction: August 15, 2013 An earlier version of this post referred incorrectly to the gender of the mezzo-soprano Jamie Barton. Ms. Barton is a woman.” [New York Times]

Durch Mitleid wissend

“An article on Feb. 10 about a new Parsifal at the Metropolitan Opera misstated what happens at the end of a Parsifal performance at Bayreuth. There is applause at the end of the opera, not none at all.” [New York Times]

The shock of the new

“The article also referred imprecisely to offerings in the Lyric Opera of Chicago’s 2012-13 season. While A Streetcar Named Desire, by André Previn, is the only one that was composed in the last 100 years, the company will also present Richard Strauss’s Elektra, which was first performed in 1909. Thus it is not the case that A Streetcar Named Desire is the only opera in the company’s season ‘from the last century’ if ‘the last century’ is taken as a reference to the 20th century.” [New York Times]

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Save the Bess for last

Well, actually, it appears Michael Riedel was misinformed. (Alert the media!) The Gershwins’ Porgy and Bess is, in fact, coming to Broadway. [New York Times]

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Right the first time

“In an April 9 story about tenor Juan Diego Florez helping deliver his baby minutes before singing in the Metropolitan Opera production of Le Comte Ory, The Associated Press erroneously reported that the soprano starring in the broadcast was Renee Fleming. The singer was Diana Damrau. Fleming was the host.” [AP]

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Fun with statistics

A correction from the Met press office:  

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