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Cher Public

  • Quanto Painy Fakor: Turning attention to South Korea tonight (Saturday) there was a José Carerras concert and... 9:07 PM
  • Grane: Hey, stories about musicians losing their instruments aren’t going to write themselves. 7:49 PM
  • Jungfer Marianne Leitmetzerin: I was there tonight. A great triumph for the company (some vocal snags but not... 7:29 PM
  • Sir Ferris: He also has a minor operatic connection through his grandmother, whose translation of Oscar Wilde... 6:55 PM
  • MontyNostry: … and the sad thing is that a lot of people out there think he is a real music journalist... 5:52 PM
  • RobNYNY: Pin = on. 5:50 PM
  • RobNYNY: “Robert le Diable” it’s pretty much the only opera that I can think of that... 5:50 PM
  • MontyNostry: Part of the problem is that Lebrecht almost certainly has little appreciation of opera or of... 5:32 PM
  • Dabrowski: Sorry, the second video I meant to link to was Fry’s movie “Wagner and Me”:... 5:16 PM
  • Dabrowski: I recently discovered this ludicrous piece of Lebrechtiana from last year: httpv://www.you... 5:15 PM

Second guess

“Correction: August 15, 2013 An earlier version of this post referred incorrectly to the gender of the mezzo-soprano Jamie Barton. Ms. Barton is a woman.” [New York Times]

Durch Mitleid wissend

“An article on Feb. 10 about a new Parsifal at the Metropolitan Opera misstated what happens at the end of a Parsifal performance at Bayreuth. There is applause at the end of the opera, not none at all.” [New York Times]

The shock of the new

“The article also referred imprecisely to offerings in the Lyric Opera of Chicago’s 2012-13 season. While A Streetcar Named Desire, by André Previn, is the only one that was composed in the last 100 years, the company will also present Richard Strauss’s Elektra, which was first performed in 1909. Thus it is not the case that A Streetcar Named Desire is the only opera in the company’s season ‘from the last century’ if ‘the last century’ is taken as a reference to the 20th century.” [New York Times]

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Save the Bess for last

Well, actually, it appears Michael Riedel was misinformed. (Alert the media!) The Gershwins’ Porgy and Bess is, in fact, coming to Broadway. [New York Times]

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Right the first time

“In an April 9 story about tenor Juan Diego Florez helping deliver his baby minutes before singing in the Metropolitan Opera production of Le Comte Ory, The Associated Press erroneously reported that the soprano starring in the broadcast was Renee Fleming. The singer was Diana Damrau. Fleming was the host.” [AP]

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Fun with statistics

A correction from the Met press office:  

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