Headshot of La Cieca

Cher Public

  • Guestoria Unpopularenka: Maybe he doesn’t think highly of her. I can see that. 11:49 PM
  • Quanto Painy Fakor: The very talented Angel Joy Blue, who nailed two glorius high C’s in the Trovatore... 11:15 PM
  • Chanterelle: Your auto-correct cracks me up! Or is it voice recognition software? 11:10 PM
  • Quanto Painy Fakor: I guess Siri does not know Waltraud. 11:04 PM
  • Quanto Painy Fakor: i have had a fantasy about this for some time, thinking that La Netrebko always dreamed... 11:03 PM
  • Lindoro Almaviva: Just attended the Boston Lyric Opera’s production of gravitas at the Schubert... 10:36 PM
  • Poison Ivy: I don’t know, I really remember a very frosty vibe from her, and sure enough when PBS... 10:28 PM
  • Dabrowski: Ivy: You read way more into this than I did, and I think you are misremembering it. I have the... 10:20 PM
  • Satisfied: Interesting point. 10:01 PM
  • javier: It could be a timing conflict issue. James Levine is old so he can’t rehearse and conduct two... 9:42 PM

Second guess

“Correction: August 15, 2013 An earlier version of this post referred incorrectly to the gender of the mezzo-soprano Jamie Barton. Ms. Barton is a woman.” [New York Times]

Durch Mitleid wissend

“An article on Feb. 10 about a new Parsifal at the Metropolitan Opera misstated what happens at the end of a Parsifal performance at Bayreuth. There is applause at the end of the opera, not none at all.” [New York Times]

The shock of the new

“The article also referred imprecisely to offerings in the Lyric Opera of Chicago’s 2012-13 season. While A Streetcar Named Desire, by André Previn, is the only one that was composed in the last 100 years, the company will also present Richard Strauss’s Elektra, which was first performed in 1909. Thus it is not the case that A Streetcar Named Desire is the only opera in the company’s season ‘from the last century’ if ‘the last century’ is taken as a reference to the 20th century.” [New York Times]

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Save the Bess for last

Well, actually, it appears Michael Riedel was misinformed. (Alert the media!) The Gershwins’ Porgy and Bess is, in fact, coming to Broadway. [New York Times]

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Right the first time

“In an April 9 story about tenor Juan Diego Florez helping deliver his baby minutes before singing in the Metropolitan Opera production of Le Comte Ory, The Associated Press erroneously reported that the soprano starring in the broadcast was Renee Fleming. The singer was Diana Damrau. Fleming was the host.” [AP]

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Fun with statistics

A correction from the Met press office:  

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