“Baritone Jarrett Ott (bottom) in Philadelphia, with current boyfriend Adam Franklin (top) who is the Artistic Administrator at The Santa Fe Opera, for performances of Verdi’s La Traviata.” [Operafresh]
Lincoln Center’s Great Performers presents Diana Damrau on Saturday, December 10th, joined by Xavier de Maistre on harp, performing works by Debussy, Strauss, Fauré, and more. A regular at the Met Opera, Damrau has been called “a soprano of matchless intelligence” (Guardian).
“One of the greatest proponents of the German lied tradition” (New York Times), baritone Christian Gerhaher performs an all-Mahler program on Saturday, December 17th, featuring Gerold Huber on piano. The Telegraph calls him “the most moving singer in the world.”
Both performances are at Lincoln Center’s Alice Tully Hall.
I always think of Don Giovanni as half of the greatest opera ever written. Or, actually, about 2/3 of the greatest opera ever written. The first act is a masterpiece of the operatic canon. There’s sex, there’s danger, there’s suspense, there’s humor, and there’s absolutely great music. And there’s also a wonderful sense of ambiguity—for instance, what exactly is Don Giovanni doing in Donna Anna’s bedroom? is it a rape, or something else? Is Zerlina really just a naive young thing? “Batti batti bel Masetto” has such an artificial, coy feel to it that you have your doubts. All of these events converge in the suspenseful Act One finale. Read more »
La Cieca has just heard that Joseph Kaiser, due to unforeseen circumstances, will not be able to participate in Sunday’s Voce recital.
Recently, opera showed up at both Mets, the Metropolitan Opera and the Metropolitan Museum of Art.
Our Very Own Marianne Leitmetzerin (pictured) has graciously shared a jewel from her vast coffer of recorded performances, a boon La Cieca hopes will become a regular Monday event here at parterre.
Opera Teen (pictured) approves of this summer’s program at the Glimmerglass Festival.