“Baritone Jarrett Ott (bottom) in Philadelphia, with current boyfriend Adam Franklin (top) who is the Artistic Administrator at The Santa Fe Opera, for performances of Verdi’s La Traviata.” [Operafresh]
Mezzo-soprano Joyce DiDonato is first among equals in a spectacular cast when she sings the title role of Ariodante in this season’s installment of Carnegie Hall’s critically acclaimed cycle of Handel’s operas in concert. A brilliantly melodic work, the opera features outstanding arias for each of the principal singers, including Ariodante’s melancholy “Scherza infida” and show-stopping “Doppo note.” Harry Bicket and The English Concert bring authentic Handelian brilliance to this marvelous opera. (Photo: Simon Pauly) Get tickets. Read more »
I always think of Don Giovanni as half of the greatest opera ever written. Or, actually, about 2/3 of the greatest opera ever written. The first act is a masterpiece of the operatic canon. There’s sex, there’s danger, there’s suspense, there’s humor, and there’s absolutely great music. And there’s also a wonderful sense of ambiguity—for instance, what exactly is Don Giovanni doing in Donna Anna’s bedroom? is it a rape, or something else? Is Zerlina really just a naive young thing? “Batti batti bel Masetto” has such an artificial, coy feel to it that you have your doubts. All of these events converge in the suspenseful Act One finale. Read more »
La Cieca has just heard that Joseph Kaiser, due to unforeseen circumstances, will not be able to participate in Sunday’s Voce recital.
Recently, opera showed up at both Mets, the Metropolitan Opera and the Metropolitan Museum of Art.
Our Very Own Marianne Leitmetzerin (pictured) has graciously shared a jewel from her vast coffer of recorded performances, a boon La Cieca hopes will become a regular Monday event here at parterre.