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Cher Public

  • lyrebird: I heard Magee in Britten’s War Requiem in Berlin (BPO Rattle) and she was the best thing in... 4:15 AM
  • NPW-Paris: … oops, I hadn’t finished! … but doesn’t meet them, it was a very special... 1:23 AM
  • NPW-Paris: “EarnestR 21;. That is very well put. I may quote you on that. Even so,and despite a very... 1:22 AM
  • la vociaccia: Few things here: I’m done with the “give her time” meme. The time to hope... 12:35 AM
  • warmke: A bit harsh. Typical American schooled singer, more focused on evenness of resonance than the curve... 11:23 PM
  • Camille: Just now, remembering how well Poplavskaya played Elisabeth’s scene. I won’t see that... 11:23 PM
  • whiskey per tutti: You are correct. It had the imprimatur of the Kurt Weill Foundation. Conducted by Julius... 10:46 PM
  • warmke: Damned AutoCorrect. 10:32 PM
  • warmke: He was, according to many inside reports, asked to retire from Washington National Opera, which he... 10:31 PM
  • PCally: yeah that’s probably the role for her, and I would like to see how she would act it. 10:25 PM

Day of victory

That miracle of the internet age, the slow leak, has begun. Read more »

Seligsten Paar

Maestro Christian Thielemann has made his choice for Lohengrin casting in Dresden and, later, Bayreuth: “Anna Netrebko als Elsa und Piotr Beczala in der Titelpartie.” [Kurier]

“It’s scary, but what can you do?”

“Ms. Netrebko, 43, spoke about her willingness to take risks, her decision to sing more dramatic repertory, and some of the new roles she plans to tackle at the Met, disclosing that she would open its 2017-18 season singing the title role in Bellini’s Norma in a new production, and that she would tackle Verdi’s Aida the following season.” [New York Times]

Gazing into the future

When she has sung her songs

Given Anna Netrebko‘s continuing success at the Met in Macbeth (as evidenced by an mid-scene “brava” in last night’s Sirius broadcast), it’s time to think about the future—specifically her local assignments for next season.

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Macbeth

Hysterical blondeness

Wednesday brought the Met’s “real” season opener, an indelible, indispensable night at the opera: a starry revival of Verdi’s Macbeth crowned by Anna Netrebko’s demented Lady.

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Anna Trovatore

Rule number 11

Cher public, you may remember that about 18 years ago a parterre writer called Dr. Repertoire came up with a handy list of rules for stage directors.

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museum

If I had a talking picture of you

More Anna Netrebko, and all that means, tomorrow at 10 AM EDT, cher public, as the Salzburg Festival production of Il trovatore is webcast over medici.tv.

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anna_macbeth

The little gunmetal dress

Sleeveless Anna Netrebko sings the “Letter Scene” from Verdi’s Macbeth.

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anna_trovatore

Timor di me? Security!

Anna Netrebko (Leonora) is seen during the Il Trovatore photo rehearsal on August 4, 2014 in Salzburg, Austria.”

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netrebko_face

Calpesta il mio cadavere!

This week, Our Own Jungfer Marianne Leizmetzerin turns her vigilant ears to the recent past to take in a performance of Il trovatore featuring Anna Netrebko and Plácido Domingo.

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