“Ms. Netrebko, 43, spoke about her willingness to take risks, her decision to sing more dramatic repertory, and some of the new roles she plans to tackle at the Met, disclosing that she would open its 2017-18 season singing the title role in Bellini’s Norma in a new production, and that she would tackle Verdi’s Aida the following season.” [New York Times]
Given Anna Netrebko‘s continuing success at the Met in Macbeth (as evidenced by an mid-scene “brava” in last night’s Sirius broadcast), it’s time to think about the future—specifically her local assignments for next season. Read more »
With its worrisome labor troubles behind it, the Met really did have something to celebrate this fall at its ultra-swanky Opening Night gala. Unfortunately the Peter Gelb tradition of premiering a new production came a cropper with Le Nozze di Figaro in Sir Richard Eyre’s lackluster ersatz-Spanish 1930s staging. The next night’s Bohème was reportedly a bit of a mess and its erratic soprano has already been replaced. However, Wednesday brought the “real” season opener, an indelible, indispensable night at the opera: a starry revival of Verdi’s Macbeth crowned by Anna Netrebko’s demented Lady. Read more »
Sleeveless Anna Netrebko sings the “Letter Scene” from Verdi’s Macbeth.
“Anna Netrebko (Leonora) is seen during the Il Trovatore photo rehearsal on August 4, 2014 in Salzburg, Austria.”
This week, Our Own Jungfer Marianne Leizmetzerin turns her vigilant ears to the recent past to take in a performance of Il trovatore featuring Anna Netrebko and Plácido Domingo.
Never let it be said that La Cieca does not pamper her cher public. After the jump, and exclusively on the web, listen to the role debut of Anna Netrebko in Verdi’s Macbeth.