Headshot of La Cieca

Cher Public

  • Opera Teen: Every time Meade starts to get fiery(like that Lucrezia at Caramoor that was nothing short of... 8:57 AM
  • WindyCityOperaman: Early warning for Chicagoland WTTW viewers: Met double-bill Macbeth and Carmen starting at... 8:55 AM
  • Opera Teen: Just saw this. Shot you a note the other day. Thank you so much! 8:52 AM
  • Baltsamic Vinaigrette: Better to be overpriced than overparted, eh? 8:41 AM
  • Feldmarschallin: Radiant is the perfect word for her in this Buster. She is only seen briefly but that is... 4:47 AM
  • Krunoslav: Siffleuse , at least on Monday and she was VERY audible, and PD rarely moved more than 20 feet... 2:38 AM
  • danpatter: Oh sure, I had one, and a copy of the record, too. I was seven. I did not drive my parents insane... 2:32 AM
  • m. croche: Almost forgot: “Thank you, Mr. Boulez.” httpv://www.youtub e.com/watch?v=NW30 g2tPmDA 1:09 AM
  • parpignol: I love Ernani, totally crazy masterpiece, and the presence of Carlo Quinto even suggests an... 12:05 AM
  • DeepSouthSenior: The subsequent careers of competition winners and losers is similar to academic... 12:01 AM

Where’s the fire?

Don’t be in such a hurry, cher public: linger a while to discuss off=topic and general interest subjects.


  • WindyCityOperaman says:

    Born on this day in 1812 writer Charles Dickens
    (hard to find video representation of operatic versions of Great Expectations (Argento’s Miss Havisham’s Fire rev. one-acter Miss Havisham’s Wedding Night), Arthur Benjamin’s Tale of Two Cities and Thea Musgrave’s A Christmas Carol)

    Born on this day in 1896 tenor Galliano Masini

    Born on this day in 1913 conductor Oskar Danon

    Born on this day in 1915 conductor Carlo Felice Cillario

    Born on this day in 1923 artistic administrator and writer George Lascelles, 7th Earl of Harewood

    Happy 81st birthday tenor Stuart Burrows

    Happy 75th birthday baritone Norman Welsby

    • Buster says:

      Ilona Steingruber’s Lulu has really grown on me, the past year. That 1949 recording, conducted by Herbert Häfner, sounds like an operetta gone off the rails. Insteading of making the work less frightening, the effect is actually the opposite. Fascinating recording!

  • Required viewing -- Hunted (Documentary about homophobia in Russia):

  • While some of you watched Anna Netrebko, we sailed over to BAM for opening night of Billy Budd. Review on Superconductor.

  • Buster says:

    Amazing Alberto Zedda yesterday in Antwerp, conducting Rossini’s Otello for the first time. The 86 year old maestro had lost none of his passion for the composer, and was as animated and brilliant as ever. Rarely did the orchestra sound as ardent and beautiful.

    Triumphs for Gregory Kunde (Otello) and Carmen Romeu (Desdemona) too. Kunde was amazing, a powerful, masculine sound, with a beautiful timbre, fearless. I loved Romeu, who looked fabulous in her little black dress, and has a vibrant sound, and a special edge to her voice that suited the character very well, both in the more dramatic passages, and in that stunning third act.

    In April, Bartoli and Osborn will do this production (“the fridge Rossini”) in Paris, but Zedda, and this cast should not be missed.

    • semira mide says:

      So happy that you were able to attend Zedda’s Otello. He is indeed amazing both as a conductor and a teacher. He has played a big role in the Rossini renaissance ( the most recent one) and people seem to love to work with him.

      He also “single handedly” trains the next generation of young Rossini singers at the Accademia Rossiniana in Pesaro, Italy every summer.

      Obviously, I’m a fan.

      • Buster says:

        I was happy to be there! There was a loud Viva Zedda! from the audience when the orchestra returned after intermission. People were thrilled to have him back, as they should. He looked a little small for his tux, but I could not believe he was 86! Outstanding first act finale, brilliant second act, with a few singers getting overexcited there, but it all came together in act three, which was a miracle. Romeu there just meltingly beautiful. She is a Pesaro singer, not, like the Emilia, the fine Raffaela Lupinacci?
        I have a ticket for a Bartoli/Osborn evening in Paris, but I doubt that will be as exciting as yesterday night.

        • semira mide says:

          Thanks for the report, Buster. Lucky you! Did you hear that Zedda fainted during a concert performance of La Donna del Lago last summer in Pesaro? After a short time he returned to the podium in his shirtsleeves and finished the performance.

          • A. Poggia Turra says:

            A few years ago Palm Beach Opera brought in Zedda to conduct L’Italiana, and he raised the (usually mediocre) playing level of the orchestra by several notches. They also allowed him to pick some of the singers, and he cast two Pesaro regulars in the lead roles (Enkelejda Shkosa and Lorenzo Regazzo).

          • Buster says:

            My pleasure -- for the Zedda/Otello fans:


  • Feldmarschallin says:

    For those who have ordered tickets for this years Festspiele I went into the box office yesterday and asked about the stand of things. They said they are overwhelmed with requests and it will take between 4 and 6 for them to sort things out and then to do a lottery as to who gets what. No need to call up or write before that since the longer they are held up the longer it will take. The things most in demand are Tosca, Macbeth and Forza and for those who ordered things other than that, it looks very promising. The Tosca was the first thing to sell out on the Saturday of the counter sale. For Macbeth it took longer since everyone was only able to buy two tickets instead of the regular 4. So everyone just needs to be patient.

  • WindyCityOperaman says:

    Born on this day in 1906 bass-baritone Ferdinand Frantz

    Born on this day in 1912 soprano Ilona Steingruber

    Born on this day in 1914 tenor Giacinto Prandelli

    Born on this day in 1915 conductor Newell Jenkins

    Born on this day in 1927 opera stage director Nathaniel Merrill

    Happy 71st birthday baritone Malcolm Donnelly

  • Feldmarschallin says:

    This is for Camille who asked about her a few days ago.

    Gun-Brit Barkmin kann, mit einigen Anzeichen von Anstrengung, mit Defiziten in der Tiefe, die Salome absolut singen (wenn sie es auch extrem wortundeutlich tut), und das will etwas heißen. Aber sie tut es „vom Blatt“, und das, was sie sich als Gesten eingelernt hat, mag vielleicht an sich „richtig“ sein, wirkt aber nicht sonderlich interessant. Der Tiefpunkt ist diesbezüglich der Tanz – mit seinem halben Königreich hätte Herodes schwer überzahlt, der war nicht einmal ein kleines Ringlein wert. Die Dame ist nicht fürs Feurige. Doch seien wir gerecht – ein (nicht ganz nachvollziehbarer) Jubelsturm empfing die Sängerin am Ende: Es ist offenbar noch eine wirkungsvolle Partie, selbst wenn man ihr eine Menge schuldig bleibt…