Headshot of La Cieca

Cher Public

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  • kashania: Oh, I'm leaving for a week's vacation today. Sorry to miss ...
  • That Guy: "Heard" is an overstatement, at least based on the one perfo...
  • grimoaldo: I noticed a couple of comments expressing surprise that toni...
  • kashania: Does that mean that Fleming will be semi-fake-acting?
  • grimoaldo: Siegfried will be Jay Hunter Morris who replaced the replace...
  • Matthew: I'm just enjoying imagining the parallel universe where "hon...
  • Camille: "FIFTY DOLLARS?!?!?!!!!" - for an opera ticket. What an out...
  • Camille: The great Giorgio Tozzi, a paragon of virtues, siinging my h...
  • papopera: who is the SIEGFRIED tonight is voiceless Voigt confirmed ??...

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Sena Jurinac 1921-2011

Legendary soprano Sena Jurinac, one of the most beloved artists at the Vienna State Opera, died yesterday. She was 90. [via AP]   Read more »

Pâle et blind

La Cieca hears that the premiere of a new production may be marred. The reason? The company might have to perform the Paris version of this opera.

Absolute assoluta

Only because I am a member of the You Can Never Have Too Much Callas School of Opera Listening can I recommend EMI’s new release The Callas Effect.  The beautifully packaged production is the size of a small paperback book and consists of two CDs with 29 arias sung by Callas plus a new 70-minute DVD showing some details of her life and artistry, focusing on her work with the Royal Opera House.  The package also contains a detailed and moving essay by Ira Siff plus translations of the texts of all the recorded arias.   Read more »

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Mayr, fair lady

Giovanni Simone Mayr was one of the most important musical figures of his day, a man Rossini referred to as the “father of Italian opera” whom Napoleon personally lobbied to come work in Paris. Though he wrote nearly 70 operas and taught Donizetti and Bellini, the Bavarian-born composer had the misfortune of hitting his peak in the era between Mozart and Beethoven, just as the bel canto movement was opening up new musical and dramatic possibilities. By the 1830s, with operas like Norma the rage, Mayr was slipping out of favor, viewed as something of a fusty relic even in his adopted homeland of [...]

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Adès in the dark

Slim British tenor Ian Bostridge arrives in town for a recital on November 28 featuring Thomas Adès‘ “Darknesse Visible,” as well as the work upon which it “reflects,” the John Dowland song “In darkness let me dwell,” as a sort of prelude to an evening of Heinrich Heine settings including the Dichterliebe. And you, cher public, have a chance to attend the concert as a guest of Carnegie Hall!

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Topper

“…to a certain degree, good critics are no longer necessary to find. The phrase ‘Everybody’s a critic’ has taken on a universal cast. The internet encourages people to share their opinions with the world. In the theatre, the buzz created by chatroom chatters has become increasingly important to a show’s reputation before it opens. There are thousands of critics tapping away their opinions to whoever will listen – so who needs a paid pontificator to tell you what your opinion should be?” Stephen Sondheim rebuts Michael Kaiser and ponders the utility of Sanskrit to the librettist in excerpts from his [...]

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Les entractes dangereux

As the dear Marquise de Merteuil found out to her sorrow, the only worse than not being talked about was being talked about. But worst of all, cher public, is having no place to go for general interest and off-topic conversation. So here you are: your place to promenade during this week’ intermission.

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Strange chatfellows

Miss Bobolink accepts the challenge:  It’s Margaret-and-Will Day!  

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