Everything but the Regie snappin’ at her rear end
Demonstrating that delicate exotic fruits need not always be ignorant, dear Lady Bracknell guessed correctly that our most recent Regie quiz was, in fact, Salome. Thilo Reinhardt‘s production from the Komische Oper Berlin was not very well received, alas, though, on the bright side, it did provide a lively subject for the cher public’s guessing. Another puzzler follows the jump.



Cherubini’s Medea!
You clearly meant to write Cher-ubini, since there’s a giant head of Cher onstage.
Rosenkavalier… last photo of the Marchallin with Octavian on his kness at her mirror.
OTT The greatest note EVER sung was Leonie’s high B on “bruder” at the end of Elektra ( 61 Met with Borkh and Madeira–it’s on Youtube ). It starts out as thrilling beyond belief and then she crecendos while holding it longer than humanly possible and it keeps getting more exciting and more exciting.
Ariadne auf Naxos
It all looks so expressionistic that it could easily be Berg’s LULU.
Photo 1: Act III gambling scene with the banker getting the telegram about the stock market crash.
Photo 2 & 3: In the dressing room in the final scene of Act I.
Either that or an expressionistic take on Monteverdi’s CORONATION OF POPPEA.
My very fait guess is Rusalka.
*faint
Un ballo
“Fledermaus”…?
1.-??
2.- Rosalinde goes over-board with her mask
3.-”Bruderlein…Bruderlein und Schwesterlein..”
LOL!
Surely this is the rediscovered Piccino opera Diminuendo based on
[img]http://parterre.com/wp-content/uploads/2011/05/409-b-the-incredible-shrinking-man.jpg[/img]
Just heard a Sirius XM promo telling us that on Wednesday, the Met Opera channel will change from 78 to 74.