Opera from a certain point of view. The best opera magazine on the web. Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
Readers of parterre.com are, La Cieca calculates, about six weeks ahead of the curve, so your doyenne figures you are ready to hear what will likely be a major scoop in the New York Times a few days prior to Halloween. It’s about the technical rehearsals for the Met’s season opener Das Rheingold, and what is heard from backstage is not encouraging.
A source close to the Met whispers that the rehearsals thus far have been “excruciatingly slow, and plagued by multiple technical glitches, which end up dragging out the rehearsal process beyond scheduled stop times, resulting in numerous overtime expenses for technical crew.” The informant adds, “And to what effect? So far nothing looks very exciting.”
Of course, a lot can happen in two weeks, and La Cieca understands that the Met’s main stage will be devoted to that production practically every day of that time before the opening night. But will this show turn out to be just too complicated for the Met?
La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.