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  • Feldmarschallin: Thielemann am 4.9? Staatskapelle Dresden im Gateig. Und vor der SF noch Tosca. Ich hoffe... 8:30 AM
  • ML: I’m glad the season is over with. Now a whole month of nothing :-) until Die schweigsame Frau. 7:58 AM
  • Feldmarschallin: Yes I miss Mrs Claggart as well and she hasn’t posted in a long time here or on her... 7:19 AM
  • ML: That’s really sad. It was the best blog of all. I just read this, 15 months old and still 100%... 5:04 AM
  • La marquise de Merteuil: I doubt MrsJohn will be back. But if you yearn for a dose of her entertaining and... 4:43 AM
  • Feldmarschallin: I heard van den Heever as Donna Anna and found her nothing special. You must have been there... 2:31 AM
  • la vociaccia: Well, I’d like to see Lady Macbeth of Mtsensk, and I’d also like to hear... 12:59 AM
  • ML: Is MrsJohnClaggart never coming back? What happened? 12:04 AM
  • Camille: Has any further news come down this way regarding the choice to work to commemorate Lenny’s... 12:00 AM
  • ML: Discovering his dad dead at age 10 probably left him unstable to a degree. 11:48 PM

My eyes, my eyes!

bette_blindWho knows better than Peter Gelb that “into each life some rain must fall” — especially now, when the Met honcho may have to replace a director who was the rock upon which was built the upcoming season?

22 comments

  • mrmyster says:

    Stephen Wadsworth! Competent, pleasantly
    conventional, just about right for Boris!
    Lucky he’s available. That’s a huge amount
    of work on short notice.

    • orfeoedeuridice says:

      Will he keep the same sets as seen in the Godunov director video on the Met’s website?

  • Will says:

    The way the MET works, these sets will already have been built and may have gone through technical rehearsals or be about to do so this summer, so yes — Mr. Wadsworth will have to work withing the sets conceived as part of another director’s concept.

  • Camille says:

    Oh goody, Betsy came to your aid, leboyfriend!
    I cannot record it so I’m happy someone is able to do so for you.
    So far the palm goes to the men, excellent all. Eboli’s Veil Song (Fedora Barbieri) restricted to one verse, as well the romanza of Elisabetta (Delia Rigal).

    Robert Merrill the excellent Marchese di Posa, with Fritz Stiedry conducting.

    Speaking of little Renata,of the many Don Carlo’s I’ve caught at the Met, I must say that her Elisabetta is one I’ll always remember and cherish (1979).