Headshot of La Cieca

Cher Public

  • DeepSouthSenior: Please let it be noted that I did not make the original statements – “redbear&... 3:37 AM
  • Lohengrin: Sorry, he is NOT my cup of tea……& #8230;…. 3:15 AM
  • Guestoria Unpopularenka: One could hardly notice his absence then, he doesn’t have that much to sing +... 2:54 AM
  • La Cieca: Here is the final scene from 28 September. Whatever Alagna’s injury, either he recovered... 2:49 AM
  • Albertine: The interval was after the auto-da-fe scene, and of course Don Carlo does not appear in the... 2:29 AM
  • Albertine: It certainly was the 4 act version, and the gist of of the public announcment was that RA was sick... 2:13 AM
  • derschatzgabber: If memory serves, I think Gockley has indicated that he intends to retire at the end of his... 2:03 AM
  • sfmike: Here’s another vote for the “Galina̶ 1; autobiography, one of the most wild,... 1:50 AM
  • SilvestriWoman: Could Speight be going to San Francisco??? 1:32 AM
  • mrsjohnclaggart: I should be clear, it was not Alagna getting through “Part Two”. 12:40 AM

My eyes, my eyes!

bette_blindWho knows better than Peter Gelb that “into each life some rain must fall” — especially now, when the Met honcho may have to replace a director who was the rock upon which was built the upcoming season?

22 comments

  • mrmyster says:

    Stephen Wadsworth! Competent, pleasantly
    conventional, just about right for Boris!
    Lucky he’s available. That’s a huge amount
    of work on short notice.

    • orfeoedeuridice says:

      Will he keep the same sets as seen in the Godunov director video on the Met’s website?

  • Will says:

    The way the MET works, these sets will already have been built and may have gone through technical rehearsals or be about to do so this summer, so yes — Mr. Wadsworth will have to work withing the sets conceived as part of another director’s concept.

  • Camille says:

    Oh goody, Betsy came to your aid, leboyfriend!
    I cannot record it so I’m happy someone is able to do so for you.
    So far the palm goes to the men, excellent all. Eboli’s Veil Song (Fedora Barbieri) restricted to one verse, as well the romanza of Elisabetta (Delia Rigal).

    Robert Merrill the excellent Marchese di Posa, with Fritz Stiedry conducting.

    Speaking of little Renata,of the many Don Carlo’s I’ve caught at the Met, I must say that her Elisabetta is one I’ll always remember and cherish (1979).