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A special Halloween trick (or is it a treat?) for the cher public.
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- Camille: Parpignol–I& #8217;ve heard her simg Brünnehilde twice in Wallüre. It was a wonderful assumption of... 1:31 AM
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This is too bad to be filth, and thus is great!!!
I LOVE how the “Aida” crosses her arms for the high Eb-ish squawk at the end, and then seems quite happy with what she’s done. HA!
Quanto Painy Fakor (7#) talks about ‘the late cummers lounge’.
Who wants to be a subscriber and come on time? I am sure there will be some delayed surprises on offer, watching all those ‘late cummers’.
Never again will I be able to listen to Aida’a Grand March without imagining a pack of oldies having a sing -a-long at an evening antique clock auction. That orgasmic scream that accompanies the Verdi rum di dum ‘slackening throb’ rhythm: would scare even
a banshee off Halloween sex, for life.
A disgrace! A properly trained British or Commonwealth soprano like Turner, Austral or Marilyn Richardson would have never attempted to betray a composer’s attention like this.
They are fabulous!!! The best triumph act finale I have ever heared!
Also love the Amneris very very much!
Priceless. But I wonder how you stumbled upon this. I tried googling “operatic, trash” and came up, surprisingly, with nada.
When you see a group of people who probably think they have a lot of knowledge but actually have no idea what they’re doing, it makes you appreciate the professional singers a lot more.
My favorite part is when the aida just laughs it off.
What makes her E-flat even funnier is that she drops out of the ensemble, “saving” her high notes for the big moment. And boy, is it ever worth it!!