Cher Public

  • Quanto Painy Fakor: New FAUST production in Salzburg – UGLY!!!!!!!! 2:04 AM
  • danpatter: I couldn’t agree more. Tucker’s voice was the first tenor voice I listened to and liked. He was on so many... 6:45 PM
  • kennedet: I could be dead wrong but I find it difficult to believe that Battle’s life will ever appear on stage, film or anywhere... 5:14 PM
  • gustave of montreal: Then BOULEVARD SOLITUDE 4:50 PM
  • JohninSeattle: Returns of the day to our favored “playwright, actor, commentator and diseuse”. That said… Oh to have... 3:51 PM
  • Daniel: Arquez, pardonnez-moi̷ 0; 3:33 PM
  • Daniel: It’s unfortunate to read yet another review so focused on soloists’ vocal timbre rather than the overall effect of the... 3:31 PM
  • 98rsd: Levine and the Met Chorus and Orchestra easily outclassed this effort. And the soloists were basically just okay. Any idea why... 2:41 PM

le coeur a ses raisons

In today’s Dallas Morning News, Scott Cantrell explains how Stephen Costello “steals [an] aging queen’s heart.”

62 comments

  • 61
    Maud is a Cunitz says:

    Turns out, Anderson’s “L’amero” doesn’t have to be a memory thanks to You Tube:

    http://www.youtube.com/watch?v=jMBgg2-wPMg

    the flatness, wavering are there

  • 62
    kashania says:

    Anderson sang Norma in Toronto 3 years ago and was in great form. No high D at the end of first act but she had the high Cs. The voice is in very good shape and she sang beautifully throughout. She really caused quite a sensation. Her breath control was superb. She took some very slow tempi and showed she had the lung power to back them up.