From one Mister Snow to another, I salute him.
Mimìs, Violettas, and Cio-Cio-Sans may live, love, and meet their ends without a tear from me, but I have never left a performance of Janácek’s The Cunning Little Vixen dry-eyed.
Pierre Boulez continuously challenged me and totally changed the way I listen to music.
The Met’s new production of Janacek’s From the House of the Dead sets high standards for the company, but as an indicator of the Gelb Era, it may be too good to be true.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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