Sweet Bird of Youth closes out an undeniably successful decade for Tennessee Williams, on stage and screen, and bisects his body of work, with his mature hits on one side and his experimental, often lambasted later plays on the other.
If The Night of the Iguana is not exactly a day at the beach, it’s not really the dark night of the soul it should be, either.
We shared a feeling that writing about The Fugitive Kind was a date with destiny.
Truly, I think it would be almost impossible to overpraise Anna Magnani in a performance that’s absolutely riveting from start to finish
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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