“An opportunity to deliver” “An opportunity to deliver”

Daniele Rustioni, who starts his tenure as Met Principal Guest Conductor with Don Giovanni this week, might just be the opera conductor we’ve all been waiting for — and he’s betting on a long haul.

Vigorous to rigorous Vigorous to rigorous

Dmitry Matvienko led a performance of Mussorgsky and Shostakovich at La Monnaie with meticulous rectitude.

Dona nobis pacem Dona nobis pacem

A Missa Solemnis to celebrate 125 years of Boston’s Symphony Hall was sophisticated and subdued.

Beyond redemption Beyond redemption

This performance of Mahler’s Symphony N°8 at the Bozar in Brussels will probably be my last ever Mahler concert.

Conductors for the ages Conductors for the ages

In Munich, performances by 97-year-old Herbert Blomstedt and 32-year-old Thomas Guggeis show the city’s orchestral ensembles at their best

Hello to Berlin Hello to Berlin

Montagu James reviews the US tour of the Kirill Petrenko-led Berlin Philharmonic

Persson of interest Persson of interest

The New York Philharmonic podium has been occupied the past two weeks by Finnish conductors once thought to be top contenders for the ensemble’s music directorship.

Don’t count out the Countess Don’t count out the Countess

In concert with Renée Fleming’s quietly authoritative stage presence, the performance offered frequent reminders of the special affinity between this singer and Strauss’s aristocratic women.

Down by the bay Down by the bay

Michael Anthonio crunches the numbers on San Francisco Opera’s recent seasons and goes straight to the top to General Director Matthew Shilvock for a look at where SF Opera has been and where it’s headed

<em>Macabre</em> fascination <em>Macabre</em> fascination

Can György Ligeti‘s only opera be understood as the composer’s own grappling with trauma, death, and memory of a past life?

Psychological projections Psychological projections

“The distance between dreams and reality is called action.” – Brian Tracy

Color me impressed Color me impressed

Bay Area audiences starved for vocal fare during its opera’s winter/spring hiatus recently experienced two exceptional concerts with distinguished singing at the Davies Symphony Hall.

If you remember, then follow If you remember, then follow

How many hours of our lives are spent looking back?

For so our master said For so our master said

Ah, that Bernstein dichotomy.

I’ll remember April I’ll remember April

If April is the cruelest month, it may be that spring’s arrival brings far too many things to do and see.

The ephemeral feminine The ephemeral feminine

It’s debated whether Lili Boulanger’s Faust et Hélène, clocking in at only about 30 minutes, can be considered a cantata, a one-act opera, or a “lyric episode.”

Chanson d’amour Chanson d’amour

Soprano Erin Wall died in early October, a month shy of her 45th birthday; Trove Thursday remembers her with a 2012 broadcast of Kaija Saariaho’s shimmering L’Amour de Loin.

From the HIP From the HIP

We are in the midst of a titanic Beethoven onslaught prompted by the unstoppable need to commemorate the composer’s upcoming 250th birthday.

The perfect match The perfect match

If only she’d been able to sing more than 10 minutes of Bjork’s music!

Roman holiday Roman holiday

A brace of Handel operas at the George Enescu International Festival.

The need for speed The need for speed

Beauteous Trinidadian soprano Jeanine De Bique appeared Sunday afternoon with the visiting Budapest Festival Orchestra under Ivan Fischer.

Tears in heaven Tears in heaven

There is a deep sense of culmination and finality when we discuss the last works of the great Masters. 

And three for Mahler And three for Mahler

A poster outside Carnegie Hall proclaimed “Mahler Well Met” and to some degree it proved to be true.

Sunset, Sunrise Sunset, Sunrise

This Sunday marks the 10th anniversary of the death of Lorraine Hunt Lieberson from breast cancer.