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Bayreuth’s AI-powered “Ring 100010110” marred a first-rate cast and orchestra with nightmarish visuals and horrid dramaturgy.
60 pieces since 2006 — at 5 companies, most often at Metropolitan Opera.
Bayreuth’s AI-powered “Ring 100010110” marred a first-rate cast and orchestra with nightmarish visuals and horrid dramaturgy.
As I mentioned in my last article (on the subject of Calixto Bieito’s production of Das Rheingold at the Paris Opera), in what the French might call une histoire belge, La Monnaie’s Ring cycle started with Romeo Castellucci as its director, and is now ending with Pierre Audi.
Director David Pountney and his splendid designers have brought Lyric Opera of Chicago a visually spectacular Siegfried full of daring ideas.
The second installment of Lyric’s Ring Cycle proved an evening of glorious singing, moving drama, great conducting and orchestral playing.
On this day in 1975 the Metropolitan Opera completed its first integral Ring cycle since 1962.
Though the headline seems to apply a whole series of epithets to a revered critic (“Stand-In Meets Sweet Snake, Shrieky Diva, Grumpy Dad: Manuela Hoelterhoff”), the actual review of the Met’s Siegfried on Bloomberg offers more than purely comic interest. While La Hoelterhoff is no better than usual as an opera reviewer, she does briefly […]
Washington National Opera followed up Monday’s lavishly praised Die Walküre with a Siegfried that, if not quite rising to the summit of the previous installment, delivered a musically committed and eminently watchable version of this complicated work.
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