So that there’s no confusion: the Long Day’s Journey into Night seen here is contemporary, political, brutal, and universal.
A theater-critic friend of my father once said that Laurence Olivier played American like it was a character choice.
A very particular tension—between angry political resistance and gloriously sex-positive, buoyantly confidant celebration of queerness—fuels the immense energy of Taylor Mac’s A 24-Hour Decade History of Popular Music.
In May of last year tenor Piotr Beczala and soprano Anna Netrebko sang in Lohengrin for the first time under the baton of Christian Thielemann in his home house at the Staatskapelle Dresden.
Not everything a genius creates is … a work of genius. Y’know? Mozart, for example: Sure, he was a prodigy at four, and at ten, and even at fourteen, but did he actually compose anything spectacular before he turned, say, seventeen? I’m thinking of “Exultate, Jubilate,” if you want to know.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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