Leyla Gencer: The very name is exotic. She was an artist of Turkish ancestry who, during the 1950s and 60s, held her own despite the presence of Maria Callas, Renata Tebaldi, Renata Scotto, Montserrat Caballe, and Magda Olivero, all of whom shared roles in her repertoire. Ironically, Gencer has a number of important credits attached…
Longtime friend of the ‘box Little Stevie returns to Adriana Lecouvreur: I have always believed that as with La Gioconda, a great performance of Adriana Lecouvreur needs to serve up “the four greatest singers in the world”, and the Met seems to come close to doing just that. I have attended all of the performances…
Our Own Gualtier Maldè reports: Not every opera has to be a masterpiece. I couldn’t subsist on a steady diet of Tristan und Isolde, Die Zauberfloete, Fidelio, plus Otello, Falstaff et al. Frankly the occasional light comic bonbon or trashy but fun melodramatic tunefest makes a nice palate cleanser. I am talking Adriana Lecouvreur, La…
[This article originally appeared in the print zine precursor to this site, one of a series of surveys of live recordings by critic Leila de Lakmé.] Leyla Gencer. The very name is exotic. She was an artist of Turkish ancestry who, during the 1950s and 60s, held her own despite the presence of Maria Callas,…
“La Diva Turca” died this morning in Milan. In tribute to the art of Leyla Gencer, here is the soprano in the final scenes of Bellini’s Norma at La Scala on January 13, 1965. She is joined in this performance by Bruno Prevedi (Pollione) and Nicola Zaccaria (Oroveso); Gianandrea Gavazzeni is the conductor. UPDATE: The…
A composer I know, a neighbor,once dropped the electrifying newsthat the great Anna Moffo has sung his songs,and telephones him every New Year’s. Whenever I see him on the street,scurrying along with music scoresclutched to his chest,I stop him to askif Miss Moffo, as I,in my utter adoration, like to call her,has phoned him yetto…
Fred Kirshnit joins the legions dazzled by the radiance that is Millo. In The Sun, Kirshnit writes People who love Aprile Millo really love Ms. Millo, and so interspersed among the nearly capacity crowd dressed in their finery as the National Italian American Foundation honored the soprano were the occasional young man or pair of…
Having recovered from today’s five hour dress rehearsal at the Met, La Cieca’s spy Barnaba offers this report: There isn’t much point to doing La Gioconda in this day and age if you haven’t got a cast who can put it over. Wonder of wonders, the Met has dug its ancient (1967) staging out of…
Or, what it would look like if Lucy Ricardo and the Wednesday Afternoon Fine Arts League did a production of La gioconda. (Actually the video is from the Liceu in 1978, but it does like the sets were paid for with a postdated check.)
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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