Bass desires Bass desires

Alexander Köpeczi, currently plying leading roles in two operas in Santa Fe and, rumor has it, the life of one prominent soprano, is the object of this week’s Grand Tier Grab Bag.

Giuseppe Patanè was a great opera conductor Giuseppe Patanè was a great opera conductor

I think Patanè did far more than just hold it together: he did full honor to Verdi.

Giannina Arangi-Lombardi never made it to the Met Giannina Arangi-Lombardi never made it to the Met

Giannina Arangi-Lombardi never sang at the Met.

There are no dead There are no dead

John Danaher pays an operatic tribute to the writings of James McCourt, an author who captured the spirit of opera as queer and dangerous like no other.

Ebe Stignani and Anita Cerquetti should have made it to the Met Ebe Stignani and Anita Cerquetti should have made it to the Met

Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.

A ruckus in Kaunas A ruckus in Kaunas

Ponchielli goes east with mixed results in I Lituani.

T’amo ancora qual t’amava in basso stato T’amo ancora qual t’amava in basso stato

As this is “Donizetti Month” here on parterre box, Chris’s Cache offers the recently deceased Paul Plishka and Opera Orchestra of New York with Carol Vaness in Anna Bolena and with Mariella Devia in the rarely heard Adelia.

The Met should revive La Gioconda The Met should revive La Gioconda

It used to be proverbial on the Met Opera Quiz, usually quoted by quiz master Edward Downes: “If you can’t remember where a certain plot event occurs … it happens in La Gioconda.

Unnecessary performance problems Unnecessary performance problems

Patrick Mack on the iconic Ethan Mordden‘s career and his first book on opera in 30 years – and it appears that time has mostly stopped in the Mordden manse.

Witchery and bitchery Witchery and bitchery

Double double, toil and trouble, y’all, and happy spooky season from Slaylem. (It’s like Salem, but fun.)

Thoughts on <em>Andrea Chénier</em>: the greats Thoughts on <em>Andrea Chénier</em>: the greats

Quite simply, the singers are not around today who are steeped in the tradition of verismo, or for that matter the later part of the 19th century.

Thoughts on <em>Andrea Chénier</em>: the opera Thoughts on <em>Andrea Chénier</em>: the opera

Doing my research for these “thoughts” ahead of a starry revival in London that opened yesterday, I came across the following review for the Opening Night of the 1962-63 Season.

Thoughts on <em>La Gioconda</em>: the others Thoughts on <em>La Gioconda</em>: the others

Yes, there were other Giocondas if not of quite the same distinction. Chronologically…

Thoughts on <em>La Gioconda</em>: Tebaldi Thoughts on <em>La Gioconda</em>: Tebaldi

Renata Tebaldi had one major advantage over Milanov and Callas (and most other sopranos): she was Italian.

Thoughts on <em>La Gioconda</em>: Callas Thoughts on <em>La Gioconda</em>: Callas

Maria Callas’s official debut in opera was as La Gioconda in 1947 at the arena in Verona.

Thoughts on <em>La Gioconda</em>: Milanov Thoughts on <em>La Gioconda</em>: Milanov

It’s time to discuss Zinka Milanov.

Thoughts on <em>La Gioconda</em>: the opera Thoughts on <em>La Gioconda</em>: the opera

Amilcare Ponchielli’s La Gioconda might not be a perfect opera (though I don’t see why not) but it is one of my favorites…

Decidedly un-HIP Decidedly un-HIP

Chris’s Cache celebrates Ewa Podles‘s long connection with Handel by featuring her in three complete, decidedly un-HIP operas spanning over twenty years

Contents fragile Contents fragile

Perhaps the greatest souvenir of her art there is.

It has to be more than that It has to be more than that

Before rehearsals for Madama Butterfly started, Phil Chan sat down with the box to chat about his production, opera’s cultural appropriation problem, and why the last thing he’s trying to do is cancel Puccini.

Remember my forgotten soprano Remember my forgotten soprano

This week Chris’s Cache features Maria Chiara, Elena Mauti-Nunziata, Rita Orlandi-Malaspina and Orianna Santunione in L’Amico Fritz, Mefistofele, Simon Boccanegra and La Fanciulla del West, respectively.

“Nothing is wrong that great singing won’t cure” “Nothing is wrong that great singing won’t cure”

On this day in 1946 the Metropolitan Opera presented La Gioconda on tour in Chicago.

Love me or leaf me Love me or leaf me

Robert Carsen‘s legendary production of Eugene Onegin finally arrives in San Francisco.

A real vibrancy A real vibrancy

Your favorite box set-aholic here completely missed the release last August of Giuseppe Di Stefano – Complete Decca Recordings in honor of the great tenor’s centenary.