Not in Kansas anymore Not in Kansas anymore

Christopher Corwin speaks to rising bass-baritone Le Bu about his journey from Yancheng, China to the Met (with a stop in Wichita) and what important roles await him.

Married to their jobs Married to their jobs

Ahead of their opening in Don Carlo in Dallas tonight, Christopher Corwin chats with Nicole Car and Étienne Dupuis — and offers a special edition of Chris’s Cache!

A vision almost like a prophecy A vision almost like a prophecy

Folks who have never attended a full-length, uncut Giacomo Meyerbeer grand opera have been known to pout and ponder: Why did the most popular opera composer of the mid-nineteenth century all but vanish from the stages of the world after a hundred years?

Are you there, God? It’s me, Margared Are you there, God? It’s me, Margared

Trove Thursday offers a nearly forgotten 19th  century opera with a most marvelous name: Le Roi d’Ys by Éduoard Lalo featuring a superb French cast led by Alain Vanzo, Andrea Guiot, Jane Rhodes and Robert Massard.

High ‘Society’ High ‘Society’

Off-and-on since last fall my PPP (Personal Pandemic Project) has been assembling a chronology of the American Opera Society. For 19 years beginning in 1951 it presented a remarkable series of concert performances of works unperformed by either the Met or New York City Opera.

Bel canto, from a distance Bel canto, from a distance

I’ll just note that Cameron and I listened separately; we didn’t compare notes; and on our own, came up with the same list of top three singers… none of whom were among the actual winners.

Friend me a tenor Friend me a tenor

A particularly heartbreaking aspect of the pandemic shutdown has, of course, been helplessly watching rising artists have their careers plunged into indefinite silence. But for a few bold souls who are willing to try new things, the moment has also opened doors.

Et voila l’histoire Et voila l’histoire

To mark Beverly Sills’s 90th birthday (May 25, 1929) “Trove Thursday” offers the late diva’s acclaimed Massenet heroine opposite her ideal Des Grieux, Alain Vanzo.

Prophète bien aimé Prophète bien aimé

New Amsterdam Opera specializes in American singers whose abilities are as yet little known.

Ryan’s hope Ryan’s hope

Sunday’s “Rising Stars in Concert”, featuring the Ryan Opera Center ensemble and members of the Lyric Opera Orchestra, was a stirring and entertainingly musical afternoon.

A Lesbian in distress A Lesbian in distress

Zelmira, a work of 1822, was the last of the eight operas Rossini composed for the Teatro San Carlo in Naples, then the largest opera house in Italy—perhaps in Europe.

Dames Dames

A double-barreled “Trove Thursday” birthday salute to Renée Fleming who turns 60 today.

Blood and Gorr Blood and Gorr

Massenet’s La Navarraise in a live performance featuring Rita Gorr as Anita and George Shirley as Araquil.

Woman on the verge of a repertoire breakthrough Woman on the verge of a repertoire breakthrough

Revive is a manifesto of sorts, declaring Elina Garanca’s intentions for the new direction in her career.

All about my mother All about my mother

Operatic history can be cruel where multiple works with the same subject are concerned

Fast and furious Fast and furious

A 1984 performance of Handel’s Orlando with Marilyn Horne, Valerie Masterson, Marvis Martin, Jeffery Gall and Robert Lloyd, conducted by Charles Mackerras.

All about my mother All about my mother

On her 90th birthday “Trove Thursday” presents the late great Belgian mezzo Rita Gorr parenting Régine Crespin in Massenet’s Hérodiade.

Fresh princes Fresh princes

Imagine two tenors releasing French opera aria collections at the same time without duplicating a single track!

Wish upon a star Wish upon a star

At what moment does a “rising star” become simply a “star”?

Round midnight Round midnight

As a child I had but a few criteria that were necessary to ensure a happy entertainment. These included mostly ball-gowns, fairy godmothers and Julie Andrews, though Sally Ann Howes was acceptable in a pinch.

The windmills of his mind The windmills of his mind

Jules Massenet’s Don Quichotte was one of a number of commissions from the Monte Carlo Opera that occupied the composer at the end of his life.

“Ne m’accuse pas, pleure-moi!” “Ne m’accuse pas, pleure-moi!”

Jules Massenet wrote Werther at the midpoint of his very successful career.

My God, it’s full of stars!

Ioan Holender was General Manager of the Wiener Staatsoper for nineteen years, the longest anyone has held this post, and the august institution honored him with the gala to end all galas in the final days of his administration.  With the goal of commemorating each of the 40 new productions premiered at the Staatsoper during…

Cobra Jewel Song

The annual Richard Tucker gala came and went at Avery Fisher Hall with the usual quota of gaffes, wardrobe malfunctions, no-shows, too-much-shows, substitutions and surprise guests (well, guest).  And sandwiched between the routine, the egocentric and the just plain dull were moments of true dementia, the moments that we melomanes live and die for.  Most…