After five flops in a row, Mr. McVicar continues to win new assignments from the Met.
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Finally some video of Stefan Herheim‘s Salome production shows up on YouTube.
“With one of my favorite opera productions returning to the Met tonight, I’ve been considering lately what makes Willy Decker‘s Traviata so fine, so satisfying, and so worth a return visit.” [Musical America]
Willy Decker’s Traviata has garnered praise from critics and audiences alike in the week since its Metropolitan premiere, but (as was to be expected) this praise comes over the complaints of a select few traditionalists, a handful of lonely boos amid the mostly enthusiastic applause. Their objection (as usual) is that Decker’s production betrays the…
“Decker’s vision of Traviata, like most great productions, combines emotional truth with intellectual rigor—or, rather, there is a synergy between these two qualities that illuminates the entire work.” Our Own JJ takes apart the giant watch to find out what makes it tick, over at Musical America.
Call for submissions: parterre box‘s new Talk of the Town
parterre box is launching a new themed regular feature curated by our readers and opera fans across the world! We are asking for your favorite clips, recordings, and anecdotes to get people chatting, listening, and thinking.
parterre box is launching a new themed regular feature curated by our readers and opera fans across the world! We are asking for your favorite clips, recordings, and anecdotes to get people chatting, listening, and thinking.
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