La Cieca breathlessly offers you a sneak preview of one of this spring’s most eagerly awaited CDs.
A glimpse of Il mondo della luna, the Gotham Chamber Opera production opening tonight at NYC’s Hayden Planetarium.
So, I was asking my friends with Met Opera insider connections about the new Hoffmann production directed by Bartlett Sher. Seemingly conceived under an unlucky star, this production first lost two of its four heroines when Anna Netrebko decided not sing Olympia and Giulietta but kept Antonia and also Stella, leaving the dramaturgy somewhat lopsided.
The premiere of Hugo Weisgall’s 1993 Esther at New York City Opera occupied my mind for several days – though maybe not for the best reasons. As I wrote earlier, it is a work that emanates, belatedly, from what might be called The Twelve-Tone Industrial Complex, that uptown conservatory lobby of the 1950s and 60s, which was…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
×
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.