The opening of Calixto Bieto‘s production of Fidelio at the English National Opera provides yet one more opportunity for the fraternity of British critics to flaunt their credentials as a passel of overeducated prats.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
