San Francisco Opera’s marketing leaves La Cieca at least momentarily speechless, so she’ll have to rely on you, cher public, to take up the slack with discussion of off-topic and general interest subjects.
“Nathan Gunn Replaces Deborah Voigt”
Here, on what appears to have been a rather chilly evening, are Michael Fabiano and his “mom” Renée Fleming in Die Walküre Lucrezia Borgia at the San Francisco Opera.
Serious “opera singer” Katherine Jenkins says her greatest wish is to sing Carmen or Cherubino at La Scala.
Remember “Toi et Moi,” the pectacular music video from which the above image is grabbed? Well, the terrific twosome who brought you that indelible video and perhaps slightly more delible audio, Dmitri Hvorostovsky and Igor Krutoi, have done it again. Their newest collaboration, “a once-in-a-lifetime musical event” called “Deja Vu” arrives at Radio City Music…
“I should make it clear here that neither have I married anyone with a beard nor have I ever murdered anyone. However, it was at this juncture in the early Noughties that my life hit rock bottom.” [The Times]
“They’re known for their great bods and for breathless blogs written by devoted admirers. Bearers of great pecs and pipes, barihunks like Matthew Worth and Tom Forde are bringing high art to the masses in a universally appealing form. And the dark-haired Gunn, all 6 broadly muscled feet of him, is king of that particular…
La Cieca’s saturation coverage of the Met’s new Contes d’Hoffmann begins officially on Monday, when one of her most reliable and most devious spies promises a report from the dress rehearsal. You, the cher public, will be expected to sound off loud and clear during the opening night chat on Thursday at 8:00 pm.
Until recently, soprano Diana Damrau was unaware of reports of steroid abuse in the 18th century seraglio. (Photo by Ken Howard, Metropolitan Opera.)
parterre mascot Izzy Anderson returns with yet another bash at “La donna e mobile.” Video impresario Wenarto obviously is working his connections like mad since he has managed to film this scene on the Act 2 set from the Met’s Tristan.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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