Nearly 30 years after a Handel opera last played there, Carnegie Hall presented The English Concert opening a three-year opera-oratorio project on Sunday afternoon with Radamisto.
Sneaking in under the wire during the final week of May were two highpoints of New York’s opera season: the Cleveland Orchestra’s Salome with a stunning Nina Stemme and operamission’s revelatory US stage premiere of a complete edition of Handel’s first opera Almira.
Yes, that’s the lovely and talented Cecilia Bartoli peeking out from under those bangs, offering us a glimpse of her first staged Cleopatra.
I half-wanted to dislike it; my expectations were very low. Renée Fleming in the Baroque, after her very uncertain recent outings in bel canto! Let’s face it; this year, her Rossini (Armida) and Donizetti (Lucrezia Borgia) did not cover her in glory. How, at this HD relay on December 3, would she cope with Handel’s…
Other than binging on seven or eight Agatha Christie novels in seventh grade, I can’t recall ever again reading another mystery novel, or what they now call “crime fiction.” Perhaps it’s a coincidence but around that same age I attended my first opera and began subscribing to Opera News. Hence, Commissario Guido Brunetti, hero of…
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
