Brigitte Fassbaender‘s sound is piquant and, I’d hazard to guess, instantly recognizable to anyone familiar with her work.
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“Time is a strange thing,” the lady observes, to a young man who cannot begin to understand what she is talking about.
Tristan has been the season-launching opera three times before now, but good luck finding someone to provide a firsthand account of the last time.
“I will never sing the role again. It was frightful. We were a set of madwomen…There is nothing beyond Elektra. We have lived and reached the furthest boundaries in dramatic writing for the voice with Wagner. But Richard Strauss goes beyond him. His singing voices are lost. We have come to a full stop.”
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