You have only until Sunday to catch the most heart-breaking moments seen on New York City operatic stages this season.
Since its life-changing Atys first arrived in 1989 at the Brooklyn Academy of Music (where the Lully returned one last time in 2011), Les Arts Florissants has presented works there which have challenged many perceptions about 17th and 18th century opera.
The Brooklyn Academy of Music kicks off its 2013 Next Wave Festival launches with BAM/New York City Opera co-production of Anna Nicole.
“Is a work an opera simply because its creators choose to call it one?”
“Hey the line forms, on the right dear / Now that Macheath’s back in town / You’d better lock your doors, and call the law / Because Macheath’s back in town.” So concludes Marc Blitzstein’s famous English translation of the song that opens Die Dreigroschenoper.
Every year New York City opera-lovers eagerly anticipate the autumn because it means that summer is finally over and we can get back to serious opera-going, and this September promises “The Battle of the A’s.”
Avid scoopster Dan Wakin just couldn’t wait until next Tuesday like the rest of us, and so he’s spilled enough details about NYCO’s “next” season to make it bleeding obvious 2011-12 will also be the last. A “new” “production” of La traviata by the undead Dr. Jonathan Miller and the U.S. premiere of the dreck Prima…
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
