Rosa’s turn Rosa’s turn

To heck with Bayreuth and Salzburg, Glimmerglass and Santa Fe as Rosa Feola sang Mozart at Lincoln Center Friday night and I wouldn’t have been anywhere else!

You shall know them by their ‘Flutes’ You shall know them by their ‘Flutes’

This year’s Salzburg Festival opens Saturday with a new production of Mozart’s Die Zauberflöte, an opera often performed elsewhere in translation, so “Trove Thursday” offers two for the price (!) of one.

The constant nymph The constant nymph

The old adage “the third time’s the charm” proved to be the case with me and Daphne, Richard Strauss’s ravishing bukolische Tragödie, when I recently heard it performed by Franz Welser-Möst and the Cleveland Orchestra.

Don Pasquale di Correzione Don Pasquale di Correzione

Norman Lebrecht reveals himself once more to be no observer at all.

Season of the Witch Season of the Witch

Trove Thursday offers a pair of live broadcasts of Médée featuring two compelling mid-20th century divas—Inge Borkh in German and Eileen Farrell in Italian. 

The priestess with the mostest The priestess with the mostest

Edita Gruberova takes on the requirements of the title role in Bellini’s Norma.

You’ve got to climb Mount Everest You’ve got to climb Mount Everest

On this day in 1975 soprano Beverly Sills made her official Metropolitan Opera debut as Pamira in L’assedio di Corinto. 

Bell de jour Bell de jour

Next week the Italian soprano Mariella Devia celebrates her 70th birthday so “Trove Thursday” salutes her with one of her earliest New York successes: Delibes’s Lakmé 

Frau Minne Frau Minne

“Trove Thursday” presents a live Tristan 2 concert featuring one of my favorite dramatic sopranos. Gertrude Grob-Prandl.

Down in the depths Down in the depths

If opera as a genre in justified in its claim to one particular story, history confirms that the Orpheus myth would be that story.

Königin of Mozart Königin of Mozart

The third installment of my 50th anniversary tribute to Edita Gruberova was impossible to narrow down to one selection.

Horne in the morning and June at night Horne in the morning and June at night

Semiramide produced at Carnegie Hall by Matthew Epstein in 1983 with June Anderson, Marilyn Horne, Samuel Ramey and Douglas Ahlstedt with Henry Lewis conducting.

Peak performance Peak performance

“Trove Thursday” ushers in February with Catalani’s La Wally with a mountain-top cast of Renata Tebaldi, Renata Scotto, Mario del Monaco, Giangiacomo Guelfi and Giorgio Tozzi conducted by Carlo Maria Giulini.

These three These three

In the midst of Tosca month “Trove Thursday” assembles from the 60s to the 80s an Il Trittico in which each opera features an important Italian star.

Intimacy Intimacy

Last week, a pair of terrific recitals demonstrated what kind of intimate spell a dramatic singer can cast when left alone with a piano.

Don Carlos: more or less Don Carlos: more or less

“Trove Thursday” presents an all-star five-act Don Carlo from forty years ago tonight.

It’s a new dawn, it’s a new Dane It’s a new dawn, it’s a new Dane

C-major has made available the first DVD/Blu-ray of Franco Faccio’s Amleto.

Babylon revisited Babylon revisited

What if you could time travel back to the first run of Giuseppe Verdi’s first great success Nabucco?

Double Doge dare Double Doge dare

The second DVD/Blu-ray with Plácido Domingo as Verdi’s other beleaguered Doge, Francesco in I due Foscari.

Start the revolution without me Start the revolution without me

In Andrea Chenier an unexpected Canadian star-tenor relishes beheading alongside a far less well-known Italian diva: Jon Vickers and Ilva Ligabue.

Steal me, sweet thieves Steal me, sweet thieves

Ali Baba ou Les Quarantes Voleurs continues straight-tone September with Teresa Stich-Randall as its heroine while Alfredo Kraus scales the heights with another Nadir.

Divine intervention Divine intervention

The second half of Warner Classics’ Maria Callas Live Remastered set represents the years 1954 to 1964 in the career of La Divina.

Divinity, restored Divinity, restored

All the daring and imagination of La Divina’s live work, particularly in the early years, is revealed in Warner Classics’ Maria Callas: The Live Recordings.

Z to A Z to A

Today’s offering is an electric performance of Verdi’s early potboiler Attila conducted by Giuseppe Sinopoli.