Living the part
Diana Soviero chats with Roger Pines about six decades of performing, four decades of teaching, and how she’s handing the tradition off to the next generation.
Diana Soviero chats with Roger Pines about six decades of performing, four decades of teaching, and how she’s handing the tradition off to the next generation.
Franz Welser-Möst leads a rigorous, if emotionally staid, performance of Verdi‘s Requiem at Carnegie Hall.
Grand Tier Grab Bag anticipates Elina Garanca‘s upcoming Zwischenfach pivot by sharing her in some other not-quite-mezzo repertoire opposite Brian Jagde.
Vincent Lombardo pays poetic tribute to the 60-year-long career of Robert Wilson.
Daniele Rustioni, who starts his tenure as Met Principal Guest Conductor with Don Giovanni this week, might just be the opera conductor we’ve all been waiting for — and he’s betting on a long haul.
A new recording of Boito‘s Nerone from Cagliari shows off an epic opera with fire and flamboyance
Wolf Trap Opera’s stirring production of Dialogues des Carmélites was a welcome respite from a brutally hot and humid DC summer.
It’s Norma, darling. We know.
Jessica Pratt’s last-minute Norma in Milan might well be the stuff of legend
When such a canonically ossified work like Verdi’s Aïda is directed at all (let alone as ambitiously as Damiano Michieletto at the Maggio Musicale Fiorentino), it does feel like a completely different opera
A new production of Dialogues des Carmélites featuring Anna Caterina Antonacci proves that it’s hard to be an iconoclast in Venice.
A brilliant L’italiana in Algeri in Rome has Larry Wolff once again thinking about “singing Turks”
Claudio Abbado made his Met debut on 7 October 1968 conducting Verdi’s Don Carlo, led five more performances through 14 November, and then never returned. Chris’s Cache offers the only complete recording I’ve run across from that run.
Francesco Filidei’s new opera The Name of the Rose struggles to bridge the past and the present in Milan
Following last week’s performances in Cleveland, Ronnie Banerjee compares six different versions of the Kostelnicka’s monologue from Leos Janácek’s Jenufa for “Perspectives on an Aria”
Seven Deadly Sins, Mahagonny Singspiel, and The Songs of Happy End live from Milan
John Yohalem wraps up Donizetti Month at parterre box with a look back at nearly six decades of Donizetti operagoing.
A live broadcast from Milan of the world premiere of Francesco Filidei’s opera based on Umberto Eco‘s novel
Pascal Dusapin‘s dynamic and demanding traversal of Dante‘s Commedia arrives at the Paris Opera
Donizetti wrote so much great music, it’s hard to single out a favorite opera, or even a preferred aria!
Florian Leopold Gassmann‘s rare comedy live from Milan
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