Though, really, the young artists of the Merola Opera Program were more than alright in their annual showcase.
San Francisco goes baroque with performances of Handel‘s Alcina, Tolomeo, and Rinaldo.
Shakespeare Opera Theatre presented two American operas exploring themes of hypocrisy and deception — in a church!
Dmitri Tcherniakov‘s production of Der Freischütz in Munich may fire a few blanks, but the musicians are all on target.
San Francisco Opera hosts an exuberant tribute to queerness past and present.
Video Artists International brings us back to a time when opera was carried over the airwaves by great voices—and a tire company.
The one who got away was Anna Caterina Antonacci, a thrilling performer.
Conductor Eun Sun Kim and soprano Elza van der Heever play to their strengths in a piercing revival of Elektra at San Francisco Opera.
Maria Kataeva makes a promising US debut in an otherwise uneven revival of Il Barbiere di Siviglia in San Francisco.
The air held a real charge that night in SF’s War Memorial Opera House.
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
Opera San José‘s La Traviata has all the buzz and energy of a world premiere.
Ten years since the death of countertenor Brian Asawa, Charles Stanton remembers his friend and corrects the record on his untimely passing.
An invigorating double bill at the San Francisco Symphony challenges how Bach “should” be performed.
Madama Butterfly confronts anime, virtual reality, and weeaboos in Matthew Ozawa‘s bold production at the Lyric Opera of Chicago.
Brendan Latimer hitches a ride with members of the “site-responsive opera” movement who are taking their shows out of the opera house — and out of the box.
El último sueño de Frida y Diego at the Lyric Opera of Chicago is a visual and sonic wonder, but a weak libretto dampens its effect.
A sublime Reginald Mobley and the Philharmonia Baroque Orchestra are a balm for troubled times in a program of baroque selections and spirituals.
Despite some fine performances, Così fan tutte at the Livermore Valley Opera doesn’t quite click into place.
Ahead of their opening in Don Carlo in Dallas tonight, Christopher Corwin chats with Nicole Car and Étienne Dupuis — and offers a special edition of Chris’s Cache!
Under the baton of Nicholas McGegan, Philharmonia Baroque Orchestra & Chorale proves they have a magic touch in a program of Rameau and Handel.
In an all-Mozart program with the San Francisco Symphony, Golda Schultz shows that her soubrette days are behind her.
Ahead of a special boozy, bawdy Valentine’s Day concert, artistic director of Opera Lafayette Patrick Quigley speaks with soprano Maya Kherani about her journey from MIT to rising American Baroque star.
A Strauss rarity receives a ravishing concert performance at Seattle Opera.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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