Trove Thursday adds two short works—Goyescas and L’enfant et les sortilèges—to Christian’s expansive recent survey of Bernard Haitink’s opera legacy.
Two of the leading postwar Czech sopranos appear together in Janacek’s Kát’a Kabanová when Trove Thursday presents Gabriela Benacková‘s gleaming heroine in her US debut relentlessly persecuted by Nadjezhda Kniplová’s implacable mother-in-law.
Despite the continued popularity of Der Freischütz in German-speaking countries, are the magical mature operas of Carl Maria von Weber otherwise really so problematic, their libretti so unwieldy to explain their continued absence from the world’s stages?
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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