As I mentioned in my last article (on the subject of Calixto Bieito’s production of Das Rheingold at the Paris Opera), in what the French might call une histoire belge, La Monnaie’s Ring cycle started with Romeo Castellucci as its director, and is now ending with Pierre Audi.
What could go wrong? As it turned out: just about everything!
Like Orest, I return to this house.
On Thursday evening Jennifer Wilson “finally” made a belated, disappointing Met debut as Turandot.
The abrupt withdrawal of Katharina Wagner from an abridged seven-hour Ring cycle she was to direct at the Teatro Colon last year prompted no shortage of scorn and Schadenfreude.
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