Chris’s Cache follows up its Gounod R&J installment with a widely varied quintet of additional Romeos and Juliets
The outdoor recitals that the Metropolitan Opera presents in New York City Parks every summer are a wonderful way to showcase rising young stars and promising beginners from the Met’s Lindemann Program.
“What a day, what a day for an Auto-da-fe!” and it’s also always a good day for Candide, so Chris’s Cache presents a pirate recording of a 1971 staging starring Mary Costa, Frank Porretta, and William Lewis.
Those of us in New York City who relish 17th century Italian vocal music were offered an enticing banquet over the past few weeks.
Marc-Antoine Charpentier and Thomas Corneille’s Médée is a monument of the 17th century French baroque lyric tragedy.
Florian Leopold Gassmann’s delicious romp L’Opera Seria seems the perfect New Year’s Eve choice at Chris’s Cache
Two short theatrical works and one sacred piece from the beguiling oeuvre of the guy who didn’t write Louise
Two of France’s leading Early Music ensembles recently visited New York City to perform music by some of the 17th century’s leading composers.
It’s been eight decades since darling Aix-en-Provence was under attack—its last formal invasion, at least by non-operagoers, was in 1942 during the German occupation of southern France. But on Friday, the town was besieged once again by its annual festival, with two dazzling premieres that examined the cruel and constructive dimensions of war and revolution.
This showcase concert gave notice that countertenor Hugh Cutting is among the most promising artists of his generation.
Today’s Chris’s Cache features live recordings of Otello most noteworthy for their Desdemonas: (in chronological order) Teresa Stratas, Julia Varady, Eva Marton and Karita Mattila.
If April is the cruelest month, it may be that spring’s arrival brings far too many things to do and see.
On Friday, MCal Performances—the performing arts organization based at University of California, Berkeley—presented the US premiere of South African multi-disciplinary artist William Kentridge’s Sybil, with music composed and conceived by Nhlanhla Mahlangu and Kyle Shepherd.
In Richard Strauss’s Arabella, the heroine is consumed with finding the right man—der Richtige—but who is the right Arabella?
The English Concert’s annual Handel tour brings Solomon conducted by Harry Bicket to the US beginning Sunday March 5. In anticipation, Chris’s Cache offers Solomon plus four other oratorios by the master: Belshazzar, Hercules, Saul and Jephtha, all via broadcasts for which I feel a personal connection.
On the train ride home I was thinking that I don’t want to see or hear Norma ever again.
For anyone who thought that Downton Abbey, with its plot lines divided between the gentry and their faithful (or not-so) servants was somehow unique, that particular tale, and lo its many variations, has been told in one form or another since Pierre-Augustin Caron de Beaumarchais put quill to paper in 1778 with La Folle Journée, ou Le Mariage de Figaro.
No one who followed Trove Thursday will be surprised that Diva November on Chris’s Cache today features Ann Hallenberg and Sandrine Piau.
“The function of prayer is not to influence God, but rather to change the nature of the one who prays” – Soren Kierkegaard
With the phenomenal cast that stacked Paris Opera’s production of I Capuleti e i Montecchi , it was easy to overlook the quirks of Bellini’s opera and get lost in the pleasures of glorious bel canto singing.
The New York City Opera has become an elusive “now you see it, now you don’t” presence in the New York opera scene since the departure of main sponsor and chairman of the board Roy G. Niederhoffer in 2019.
Monteverdi’s late Homeric masterpiece Il Ritorno d’Ulisse in Patria isn’t often performed in the United States.
The July-August timeframe in the San Francisco Bay Area is always exciting time in terms of opera.
The always elegant Véronique Gens has recently returned often to her earliest roots in the French baroque.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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