Aix tremendae, salva me
Festival d’Aix-en-Provence confronts the living and the dead — and its own future — through audacious productions and an intimate world premiere.
3 pieces since 2013 — at 3 companies, most often at Teatro Colón.
Festival d’Aix-en-Provence confronts the living and the dead — and its own future — through audacious productions and an intimate world premiere.
Kent Nagano gives a boost to the Opéra national de Paris‘s revival of Nixon in China.
The abrupt withdrawal of Katharina Wagner from an abridged seven-hour Ring cycle she was to direct at the Teatro Colon last year prompted no shortage of scorn and Schadenfreude.
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