I love it, truly, just not that much.
Opera Philadelphia’s return to the stage after two years was greeted by a cheering crowd who clearly would have been happy to stay longer, but as director David Devan acknowledged, this was a step in a continuing trajectory.
Two atmospheric but bleak works provide a musical illustration of the notion that misery loves company.
It’s difficult to reconcile what Schlather writes with what we see onstage, which is a jumble not only of pianos, but of periods and concepts.
Although Leonard Bernstein’s Trouble in Tahiti is always categorized as an opera, the piece certainly has one foot planted firmly in his jazzy musical-theater style.
Kurt Weill & Bertolt Brecht’s Mahagonny Singspiel, and Gian Carlo Menotti’s The Medium—are not only combined, but configured to overlap in sometimes revealing, occasionally confounding ways.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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