And no bones!
Apparently, opera fans got the bright side of the bargain: say “Macbeth” in the theater and you court cataclysm; utter the name in the opera house and, as often as not, you merely predict disappointment.
51 pieces since 2005 — in 22 roles, at 13 companies, most often at Metropolitan Opera.
3 pieces as Macbeth — stats above show all coverage for Thomas Hampson.
View allApparently, opera fans got the bright side of the bargain: say “Macbeth” in the theater and you court cataclysm; utter the name in the opera house and, as often as not, you merely predict disappointment.
Cubes and Macbeth seem to have been a successful pairing in the recent Regietheater. Graham Vick’s production of Macbeth at the Teatro alla Scala in the 1997/98 season had become famous, or infamous, for centering its spirit and energies on a big cube dominating both sets and singers. David Pountney exploited the same idea of […]
Lyric Opera of Chicago has entrusted their new Macbeth to Barbara Gaines, Artistic Director of the Chicago Shakespeare Theatre, whose work can be frustratingly inconsistent. She has directed the finest Troilus and Cressida and the finest King Lear that I have ever seen. Yet her recent work has been filled with wretched excess and effects […]
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