A shtetl aesthetic A shtetl aesthetic

Austin Opera’s moving production of Fiddler on the Roof grounds itself in lived tradition, to great effect.

“Laiden with happiness and tears” “Laiden with happiness and tears”

Director Barrie Kosky brings to Fiddler on the Roof fascinating ideas, fine casting, equal mixes of comedy and sadness, and, from the beginning, a sense for we of the audience that we were about to spend three hours in very good hands.